A crime caper with an original idea that falls short on nearly every other level.

Fly Diamonds

Dober (AmEarth, 2015, etc.) offers a story of familial revenge involving an ingenious diamond heist.

After his father’s death, Juan Luis Merlo lives in San Diego, where he works as a waiter at The Savory Yolk and sends most of his money to his mother in Tijuana, Mexico. Juan blames his family’s misfortune on Tickell Insurance Products Corporation (TIPCO), which fought his father in court for years over a settlement after a fire destroyed his toy factory and his family’s future. After TIPCO delivered a token payment, Juan’s father died. TIPCO then ruled Juan’s father’s accidental death a suicide and refused to pay any life insurance benefits. Juan has spent years concocting the perfect crime to avenge his father, and the plan involves robbing diamonds from TIPCO client Quayles Jewels, using 35 trained carrier pigeons fitted with tiny pouches. On the appointed day, Juan’s plan works flawlessly—except that one of the birds doesn’t make it out of the store. The police then attach a GPS tracker to the pigeon and set it free. This heist tale’s plot moves briskly and is full of surprises. However, it’s marred by poor execution. The dialogue is often improbable; for example, as cops head to the crime scene, one of them says, “Come on, Ivory, somebody could be in danger!” There’s also a lot of telling and not much showing: “He then became extremely guarded and made sure his mom wasn’t in on his plans.” Some word choices are inexplicable (“Cliff swirled past slow cars”) and the Spanish dialogue is accompanied by a complete English translation, rendering it irrelevant. Overall, Dober’s characters are one-dimensional with the single exception of Juan, who has a realistic back story and motivation.

A crime caper with an original idea that falls short on nearly every other level.

Pub Date: April 6, 2016

ISBN: 978-0-9965491-5-8

Page Count: 208

Publisher: CreateSpace

Review Posted Online: March 27, 2018

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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