A lively jaunt over well-traveled territory.
Conducted by a cat in a retro-futuristic space suit, this tour of the solar system and beyond earns style points for both its illustrations and its selection of “Factoroids.”
Diverging from the straight-line course such tours usually take, Professor Astro Cat begins with the Big Bang and the subsequent formation of stars and galaxies. In single-topic spreads, he then sails past the sun to present the Earth and moon, space travel from Apollo to the International Space Station, and the other planets in succession with their major moons and distinctive features. Going beyond the solar system, he explores constellations and telescopes and finally speculates in free-wheeling fashion about alien life and our future travels to other worlds. In blocky, mid-last-century–style cartoon pictures printed on rough paper, Astro Cat and his mouse sidekick point and comment as the smiling sun, cutaway views of spacecraft and satellites, heavenly bodies of many sorts and (toward the end) googly-eyed aliens sail past. Though claims that gas giants have a “surface” and that astronauts wear “armour to protect against flying space rocks” are, at best, misleading (and the text could have stood another round of copy editing), Astro Cat’s digestible bursts of information are generally accurate—and well-salted with memorable notes about, for instance, diamonds on Uranus or how dirty laundry on the water-poor ISS is consigned to fiery destruction in the atmosphere.
A lively jaunt over well-traveled territory. (glossary) (Nonfiction. 9-11)Pub Date: Nov. 12, 2013
ISBN: 978-1-909263-079
Page Count: 64
Publisher: Flying Eye Books
Review Posted Online: Nov. 1, 2013
Kirkus Reviews Issue: Nov. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
From McDonald (Tundra Mouse, 1997, etc.), a haunting, dramatic glimpse of the Bone Keeper, a trickster with special transformational powers. Some say Bone Woman is a ghost; some envision her with three heads that view past, present, and future simultaneously. Most, however, call her the “Skeleton Maker” or “Keeper of Bones.” Chanting, shaking, moaning, and wailing, the Bone Keeper is frenzied as she sorts bones; not until the end of the book are readers told, in murmuring lines of free verse, what the Bone Keeper is creating in her mysterious desert cave. Out of the darkness, a wolf springs to life, leaps from the cave, howling, a symbol of resurrection and proof of life’s cyclical nature. Also keeping readers guessing as to the Bone Keeper’s final creation are Karas’s paintings; they, too, require that the final piece of the puzzle be placed before all are understood. The coloring and textures embody the desert setting in the evening, showing the fearsome cave and sandy shadows that wait to release the mystery of the bones. (Picture book. 5-8)
Pub Date: March 1, 1999
ISBN: 0-7894-2559-9
Page Count: 30
Publisher: DK Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1999
Peddle debuts with a small, wordless epiphany that flows like an animated short. A low winter sun first lights a child building a snowman, then, after a gloriously starry night, returns to transform it—to melt it. Leaving most of each page untouched, Peddle assembles a minimum of accurately brushed pictorial elements for each scene: the builder; the snow figure; their lengthening shadows; the rising sun’s coruscating circle in the penultimate picture; a scatter of sticks, coal, and a carrot in the final one. Most children will still prefer The Snowy Day, but others may find layers of meaning beneath the story’s deceptive simplicity. (Picture book. 4-9)
Pub Date: Jan. 1, 2000
ISBN: 0-385-32693-9
Page Count: 28
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
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