A stylish and distinctive tale full of British con men and supernatural creatures.
A debut urban fantasy novel tells the story of an ethically challenged magician holed up in a resort town in Cornwall.
Fleeing his gambling debts (and the large men attempting to collect them), London magician and ne’er-do-well Alexander Crowley—great-grandson of a famed occultist—flees to the beach town of St Ives to lay low for a while. The profane and casually criminal Alex plans to relax for the summer, using his mesmerizing ability to steal money and services from cabbies and little old ladies. But upon arriving in town, he is immediately contacted by the local (rivalrous) divinities—an ancient Celtic saint named IA and a bar-owning demon called Mr. Bucca Dhu—who make it clear that a low-key vacation is not on the table. “You will not be left alone or at peace in this town without my assistance, Mr Crowley,” IA warns him. “Your presence will be like a magnet for ne’er do wells, both human and other.” As if that isn’t enough, his presence also attracts an unlikely sidekick in the form of the hapless town novelist, Booby de Faux. IA turns out to be right: Alex’s magical gifts—as well as his flexible moral compass—make him a desirable contractor in St Ives, and he is soon facing off with local Mafiosos, medieval ghosts, talking seagulls, ancient kings, and vampires who disguise themselves as cats. Compared to this lot, maybe facing a few debt collectors wasn’t all that bad. Barr’s prose is jocular and laden with slang, more Guy Ritchie than J.K. Rowling: “My old man used to do nights and it made him a right grumpy git. I had considered asking Booby to knock up some curtains for this gaff as I never could sleep during the daytime. Should have been a bloody vampire, now there was a thought!” Formatted as a series of episodes rather than one long narrative, the book has a lovely, leisurely pace that fits perfectly with its romantic setting. Alex himself is a rather unlikable protagonist—he objectifies most women he meets (“Alert and pert, a poor man’s Brigitte Bardot stood behind the counter…The assistant looked better stacked than the shelves”) and is neither as funny nor as suave as the author clearly means for him to be. Yet the story remains largely readable nonetheless.
A stylish and distinctive tale full of British con men and supernatural creatures.Pub Date: Jan. 31, 2018
ISBN: 978-0-9996556-3-4
Page Count: 310
Publisher: Between the Lines Publishing
Review Posted Online: April 15, 2019
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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