An excellent chronicle of the tragedy for a broad audience; children, teens, and adults will all be moved.
Following the stellar The Great American Dust Bowl (2013), Brown tells the story of Hurricane Katrina and its impact on New Orleans, beginning with “a swirl of unremarkable wind” in “early August, 2005” and ending with the observation that “By 2012, only 80 percent of New Orleans’s residents had returned.”
Artwork with the high quality of early Disney animation—strongly drawn figures against electrically charged watercolor backgrounds—seamlessly co-tells a dramatic tale with text that ranges from simple, factual sentences to quotations from an extensive collection of books and media. The text and artwork clearly reveal two separate but inextricably connected horrors: devastation caused by a high-category hurricane and the human responsibility that lay behind the nightmarish scenarios. The book is fast-paced and hard to put down, sequential panels used to perfect advantage. A couple is shown in rising water in their home, scratching a hole through their roof to safety. Later, a crowd of 15,000 waits, without supplies, in a fetid convention center, for impossibly slow help to arrive. “Mayor Nagin is never seen there.” The final frame of that series depicts a woman on her knees, crying out, “Help us!” In addition to quoting and contextualizing such now-infamous sayings as, “Brownie, you’re doing a heck of a job,” the book pays homage to the heroism of many, both professionals and volunteers.
An excellent chronicle of the tragedy for a broad audience; children, teens, and adults will all be moved. (source notes, bibliography) (Graphic nonfiction. 12 & up)Pub Date: Aug. 4, 2015
ISBN: 978-0-544-15777-4
Page Count: 96
Publisher: HMH Books
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
A truth-is-stranger-than-fiction story about a lost soul finding her way.
Navigating high school is hard enough, let alone when your parents are CIA spies.
In this graphic memoir, U.S. citizen Glock shares the remarkable story of a childhood spent moving from country to country; abiding by strange, secretive rules; and the mystery of her parents’ occupations. By the time she reaches high school in an unspecified Central American nation—the sixth country she’s lived in—she’s begun to feel the weight of isolation and secrecy. After stealing a peek at a letter home to her parents from her older sister, who is attending college in the States, the pieces begin to fall into place. Normal teenage exploration and risk-taking, such as sneaking out to parties and flirtations with boys, feel different when you live and go to school behind locked gates and kidnapping is a real risk. This story, which was vetted by the CIA, follows the author from childhood to her eventual return to a home country that in many ways feels foreign. It considers the emotional impact of familial secrets and growing up between cultures. The soft illustrations in a palette of grays and peaches lend a nostalgic air, and Glock’s expressive faces speak volumes. This is a quiet, contemplative story that will leave readers yearning to know more and wondering what intriguing details were, of necessity, edited out. Glock and many classmates at her American school read as White; other characters are Central American locals.
A truth-is-stranger-than-fiction story about a lost soul finding her way. (Graphic memoir. 13-18)Pub Date: Nov. 30, 2021
ISBN: 978-0-316-45898-6
Page Count: 320
Publisher: Little, Brown
Review Posted Online: June 10, 2021
Kirkus Reviews Issue: Aug. 1, 2021
A winner.
The trials of a high school basketball team trying to clinch the state title and the graphic novelist chronicling them.
The Dragons, Bishop O’Dowd High School’s basketball team, have a promising lineup of players united by the same goal. Backed by Coach Lou Richie, an alumnus himself, this could be the season the Oakland, California, private Catholic school breaks their record. While Yang (Team Avatar Tales, 2019, etc.), a math teacher and former National Ambassador for Young People's Literature, is not particularly sporty, he is intrigued by the potential of this story and decides to focus his next graphic novel on the team’s ninth bid for the state championship. Yang seamlessly blends a portrait of the Dragons with the international history of basketball while also tying in his own career arc as a graphic novelist as he tries to balance family, teaching, and comics. Some panels directly address the creative process, such as those depicting an interaction between Yang and a Punjabi student regarding the way small visual details cue ethnicity in different ways. This creative combination of memoir and reportage elicits questions of storytelling, memory, and creative liberty as well as addressing issues of equity and race. The full-color illustrations are varied in layout, effectively conveying intense emotion and heart-stopping action on the court. Yang is Chinese American, Richie is black, and there is significant diversity among the team members.
A winner. (notes, bibliography) (Graphic nonfiction. 13-18)Pub Date: March 17, 2020
ISBN: 978-1-62672-079-4
Page Count: 448
Publisher: First Second
Review Posted Online: Dec. 20, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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