Based on Hall's own family's dairy business at the turn of the century, this nostalgic New England narrative joins his The Ox-Cart Man (1979) in harkening back to a slower time and celebrating farm and family. Before pasteurization, when milk was delivered directly to doorsteps via horse and wagon, young Paul observes his father and brothers at work—the work of holding on to traditional values in the face of modernization, as well as the physical work of carrying milk and capping bottles. When the youngest, Elzira, contracts undulant fever (but not from their raw milk), Paul's father decides to get a pasteurizing machine, balancing continuity and change. Shed's sleepy, light-dappled paintings freeze in time a series of moments in one family's history. Adults with fond memories of glass-bottled milk delivery may appreciate this more than children of the computer age; just as young readers cannot imagine a time before television, they may fail to comprehend milk before cartons and grocery stores, a fact that could appropriately land this old-fashioned intergenerational story in the hands of social-studies teachers. (Picture book. 7-9)
Pub Date: Sept. 1, 1997
ISBN: 0-8027-8463-1
Page Count: 32
Publisher: Walker
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1997
BOOK REVIEW
BOOK REVIEW
A book of the basic teachings of Buddha, presented through a collection of six classic, simple tales. When a monkey takes refuge from a monsoon in a cave, he happens upon a group of bickering animals—a monkey, lion, turtle, jackal, and dove. Before the fighting becomes too fierce, a small statue of Buddha begins to glow in the darkest corner. To pass the time—and to stop the fighting—wise Buddha spins enlightening stories of tolerance, endurance, sagacity, truthfulness, kindness, and clarity. Buddha recounts his past lives in many forms—from monkey to pigeon to willow tree—to his captive listeners. Such straightforward yet profound tales combine with the art and design for an example of bookmaking that is aesthetically pleasing in every way. Color-washed linoprints cleverly distinguish the stories from the black-and-white narrative frame, while an informative afterword offers brief background detail about Buddha and these six “birth stories” known as Jatakas. (Picture book/folklore. 4-7)
Pub Date: April 8, 1999
ISBN: 0-374-33548-6
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
Readers won’t find this neighbor strange; he merely entertains an age-old desire to fly. But hark back a 120 years, when this story takes place, and one can begin to appreciate the skeptics who surround Melville Murrell, technically the creator of the first human-powered airplane two decades before the Wright brothers. To the narrator, it’s strange that “our neighbor” studies birds, makes drawings, and tries to be airborne. The title sentence becomes a bleating refrain, turning the book into a one-kick joke when Murrell’s contraption flies and the narrator is almost rendered speechless. Krudop’s paintings, with their great slabs of vibrant color, are atmospheric delights, conjuring up Murrell as the eccentric his neighbors believe him to be, and the era as one in which innovators were no more appreciated—at least till they struck it rich—than they are today. (Picture book. 5-9)
Pub Date: March 1, 1999
ISBN: 0-531-30107-9
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
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