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BUTTERFLY WEED

Inspired, playful storytelling from one of our most consistently original (and impish) novelists (Ekaterina, 1993, etc.), who now returns to his Ozark version of Shangri-la—the village of Stay More, a place hard to find but infinitely harder to leave. Harington's series of novels about this fictional Arkansas community (The Choiring of the Trees, 1991, etc.) and its eccentric population (``Stay Morons'') has been distinguished by an idiosyncratic blend of lovingly rendered detail (on the language, beliefs, and history of southern mountain life) and wild fantasy. This latest installment, a history of the complex love life and remarkable medical achievements of Doc Colvin Swain, Stay More's ``dreaming Doctor,'' is no different: The title derives from an incident in which a chaste young woman, fleeing an unwanted suitor, is rumored to have turned herself into a butterfly, or a flower, to escape. While the bawdy record of Swain's affairs is at the heart of Harington's crowded, exuberant story, we also get a robust portrait of the doctor's special gifts, his patients, and his times (from the end of the 19th century to the 1950s). Apprenticed as a young boy to a hill doctor, he learns to use both a wide range of herbal remedies and conventional cures. But what really sets him apart is his trancelike ability to visit his patients at night, in their dreams, and to treat them successfully on some nocturnal astral plane. The most painful irony of Swain's career is that beautiful, beloved Tenny (Tennessee), the true love of his life, is the one patient he can't save. She dies, horribly, of tuberculosis. But, this being Stay More, she lingers on as a spirit, watching over Doc, waiting for him. Such material would evaporate in the hands of a lesser novelist. But Harington, an ingenious, wise storyteller and a sly stylist, able to catch the tang and vigor of the spoken word, makes Doc and the other inhabitants of Stay More seem as real as the mountains they inhabit—and also as mysteriously timeless.

Pub Date: May 10, 1996

ISBN: 0-15-100164-2

Page Count: 368

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1996

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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