A heartwarming story with a bit of mystery, available in both English and Chinese.

WHO WANTS CANDIED HAWBERRIES?

In winter, an old man enters Cat’s Eye Hutong (alleyway or lane) with his bicycle, fitted with a rack filled with candied hawberry skewers, a Chinese treat.

He hopes to sell all so that he can buy medicine but first puts down a box of fish scraps in the snow. He calls for customers, but none appear. The charming, naïve watercolor-and–colored-pencil paintings begin to fill with feline images built into the architecture. Then a small child wearing a white medical mask (sometimes worn to prevent the spread of germs) buys a stick of hawberries, but as she walks off, the man notices a white tail peeking from her coat. Other young, masked buyers appear; all have tails, and one’s mask has slipped, exposing whiskers. Finally, a human girl buys the last stick, and when the old man asks her about the kids with tails, she informs him that only “Kitties have tails” but points up to cats on the rooftops all eating the red hawberry sticks. Careful readers will remember the fish left “as usual.” This book publishes simultaneously with an edition in Simplified Chinese, which features simplified characters and transliterated text in a small font directly above the characters. Backmatter includes a glossary keyed to intermediate-level readers, three-to-a-page thumbnails of the illustrations with English text, and note with cultural background (sadly missing in the English-only edition); further Chinese learning materials are available on the publisher’s website.

A heartwarming story with a bit of mystery, available in both English and Chinese. (Picture book. 6-8)

Pub Date: Dec. 1, 2016

ISBN: N/A

Page Count: 36

Publisher: Candied Plums

Review Posted Online: Nov. 2, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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A close encounter of the best kind.

FIELD TRIP TO THE MOON

Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.

While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.

A close encounter of the best kind. (Picture book. 6-8)

Pub Date: May 14, 2019

ISBN: 978-0-8234-4253-9

Page Count: 40

Publisher: Margaret Ferguson/Holiday House

Review Posted Online: Feb. 6, 2019

Kirkus Reviews Issue: March 1, 2019

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Patchy work, both visually and teleologically.

YOU'RE HERE FOR A REASON

The sultana of high-fructose sentimentality reminds readers that they really are all that.

Despite the title, we’re actually here for a couple of reasons. In fulsome if vague language Tillman embeds one message, that acts of kindness “may triple for days… / or set things in motion in different ways,” in a conceptually separate proposition that she summarizes thus: “perhaps you forgot— / a piece of the world that is precious and dear / would surely be missing if you weren’t here.” Her illustrations elaborate on both themes in equally abstract terms: a lad releases a red kite that ends up a sled for fox kits, while its ribbons add decorative touches to bird nests and a moose before finally being vigorously twirled by a girl and (startlingly) a pair of rearing tigers. Without transition the focus then shifts as the kite is abruptly replaced by a red ball. Both embodied metaphors, plus children and animals, gather at the end for a closing circle dance. The illustrator lavishes attention throughout on figures of children and wild animals, which are depicted with such microscopically precise realism that every fine hair and feather is visible, but she then floats them slightly above hazy, generic backdrops. The overall design likewise has a slapdash feel, as some spreads look relatively crowded with verses while others bear only a single line or phrase.

Patchy work, both visually and teleologically. (Picture book. 6-8)

Pub Date: Sept. 1, 2015

ISBN: 978-1-250-05626-9

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: June 23, 2015

Kirkus Reviews Issue: July 15, 2015

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