A Christian-leaning, trippy sci-fi tale about multidimensional travel.
When he invents a gateway to metaphysical alternative universes, a scientist discovers romance, cosmic danger, and a chance to rewrite history for truth and justice.
Former professor Arthur “Art” Goldstein has been crestfallen ever since his wife and son fell victim to a next-door neighbor (and vicious serial killer)—a landscaper whose lawyers got him off the hook. Art is working in his lab on an “anti-gravity propulsion” unit when he materializes a sort of floating cylinder. Once enlarged to accommodate a person, it is a doorway to and from “Eternal Reality,” an alternate dimension in which Art moves unseen throughout the world and, using time travel and meditation, orchestrates changes on a God-like (or angelic) level. Moreover, if he takes his invention inside that dimension and passes through it, he attains access to further invisible realms. During these experiments, Art’s family grief and loneliness bring into being a little daughter he actually never had, named Kanna. Meanwhile, he recruits—and falls in love with—Gem Davidson, a divorced fellow scientist who becomes his partner in more ways than one, as the couple brings that pesky serial killer to justice. The two also learn (thanks to an Obi-Wan-type mentor and visitor from beyond named Methuselah) that underneath further layers of reality, entire menageries of Book of Revelation creatures, aliens, and banished spiritual beings coexist with humanity, preying on Earthlings in the manner of the robots in The Matrix. The genesis of an Infinity Trilogy, this faith-based, sci-fi fantasy displays ambitions very nearly the size of C.S. Lewis’ theological time-space adventures. And Ingersoll (Patti Cake, 2016) injects a surprising late development involving a main character into the plot. But the elaborate tale also delivers clunky, vernacular prose; a lumpy pace; and characters who tend to be one-dimensional (even while moving through multiple dimensions). At the end of the novel, all hell breaks loose, literally, pointing sequel-ward. At least the demonic landscaper dilemma is resolved. Or as weak cop-talk dialogue puts it: “This is one serial killer who will never kill again.”
A Christian-leaning, trippy sci-fi tale about multidimensional travel.Pub Date: Nov. 1, 2016
ISBN: N/A
Page Count: 217
Publisher: iUniverse
Review Posted Online: Jan. 31, 2017
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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