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JUST A BOOK IN THE LIBRARY

A persuasive examination of how books can enlighten and enrich—just like this one.

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This sixth installment of a series discusses literature as a means of sharing stories to experience—and learn from—history.

Throughout her series, Clovis (Falling Bedrooms, 2019, etc.) has addressed the notion of synchronicity, which is akin to Jung’s collective unconscious. This entry centers on the written word as a way for the past to synchronize with readers in the present. First and foremost, the author explores the importance of imparting knowledge. She sees libraries as “places where truth hides and lives within the words of stories” as well as receptacles for the “voices of civilization.” Books help people think and remember, but the author argues that they can also offer encouragement. In one instance, Clovis writes that a shared story can turn “the captivity of slavery” into a message of freedom. But while the author stresses the power of words and information, her most striking assertion is how harmful the lack of both can be. For example, she cites the Trump administration’s silence after shutting down White House press conferences. She further notes a recent decline in history majors. Because Clovis links truth to history, a shortage of individuals writing about the past will ultimately deprive people of the crucial facts and contexts they need to understand important, present-day issues. As in preceding books, the author intelligently explores social concerns, such as racial discrimination, and includes her personal experiences. She openly discusses an aneurysm, which she incorporates thematically, that momentarily rendered her unable to speak (and, therefore, took away her words). Her easygoing, succinct prose makes occasional criticisms less severe but still profound; rectifying social media’s “fraudulent” news is merely a matter of researching and checking facts. Moreover, Clovis writes in brief, generally one-page chapters. These periodically give way to her striking, poetic reflections: “Night serves a function that illuminates fairy tale dust in the twinkle of a sparkle glitter. It is the color of baby’s breath blown from the cosmic shelves of time.” 

A persuasive examination of how books can enlighten and enrich—just like this one.

Pub Date: Jan. 1, 2020

ISBN: 978-1-982238-89-6

Page Count: 76

Publisher: BalboaPress

Review Posted Online: Dec. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2020

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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