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POPE JOAN

Name: POPE JOAN
Author: Donna Woolfolk Cross
ISBN: 0-517-59365-3

by Donna Woolfolk Cross ‧ RELEASE DATE: Aug. 1, 1996

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A remarkable woman uses her considerable intellect—and more than a little luck—to rise from humble origins to become the only female Pope, in this breakneck adventure from newcomer Cross. A longstanding tradition has insisted that there was a female Pope in the ninth century. The author's version of that story imagines Joan as the daughter of a village canon. Singled out for tutoring by a wise Greek, she learns quickly, but her father sees her knowledge as an abomination and blocks further progress. She runs away to join her brother at school, but is reviled by fellow students and her schoolmaster alike, even though she has the support of Gerold, the local count. Gerold falls in love with her, so his wife plots to marry her off while he is away; a Viking raid intervenes, however, leaving Joan the sole survivor. Determined never again to be betrayed by being female, she dresses as a man and enters a Benedictine monastery, where her aptitude for learning and healing propels her rapidly into the priesthood. Years pass; Joan makes a remarkable recovery from the plague and decides to go to Rome. There, she saves the life of Pope Sergius, and in her new role as papal physician again meets Gerold, rekindling the spark between them. When Sergius dies, and intrigue leads to the poisoning of his successor, Joan is elected Pope as the people's choice. Together, she and Gerold work to help the poor, but when a flood gives them the opportunity to be truly alone, passion reasserts itself. Joan learns that she is pregnant just as plotters act against her, leaving a bloody finale to be played out on the streets of Rome. No lack of action here, but also not much food for thought. Still, what seems a too facile rendering of a complex story might certainly appeal as light summer reading.

Pub Date: Aug. 1, 1996

ISBN: 0-517-59365-3

Page Count: 432

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1996

Categories:

GENERAL FICTION

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SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

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Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

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LAST ORDERS

by Graham Swift ‧ RELEASE DATE: April 5, 1996

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Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.