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THE CAPTAIN'S DAUGHTERS

A cozy family adventure that’s sometimes overly superficial.

A space captain’s daughters are kidnapped in this debut middle-grade SF novel.

Twelve-year-old sisters Diane and Robin were born eight months apart to Daniel and Beth Marsh, but their parents died in an interplanetary war when they were babies. Daniel’s brother, Capt. William Marsh, adopted the sisters. While they were first raised by his parents on their ranch in Santa Fe, New Mexico, they’ve been living with William on his spaceships since they were 5 years old. He often needs to rein in their mischief and impose discipline when they stubbornly insist on not following rules, but he does so with love. In March 2297, the tweens are exploring an area around their grandparents’ ranch when a transporter beam suddenly whisks them away. They find themselves imprisoned on an alien vessel by Cmdr. Blassen, whose people—the Mog—were conquered by the warmongering Frazon, enemies of the League of Universal Planets, to which Earth belongs. Having discovered a portal between parallel universes, Blassen has concocted a villainous scheme to kidnap children in one and sell them in the other. Usually he nabs infants, but he’s taken the sisters to fulfill a special order from the Frazon imperial governor, Gen. Malon, who seeks revenge against William; the captain led the battle that killed his son. Blassen has a double cross in mind that will allow him to keep Malon’s stealth-technology bounty while selling Diane and Robin and pocketing the money. Although the resourceful sisters manage to escape to an LUP space station and then the Marsh ranch, their troubles are just beginning. They never existed in this universe, and no one knows them, including this world’s William. Reuniting the family will present multiple challenges—and Blassen still has a few tricks up his sleeve.

Berger sets her book in a Star Trek–like world, with technology such as phasers, transporter beams, starbases, equivalents for the holodeck and the turbolift, and so on, giving the cosmos a familiar feeling. The heart of the story, though, lies less in SF elements than in family relations. Vignettes from the past show William and his adopted daughters navigating the girls’ frequent testing of his limits, which he meets with fatherly justice. The abduction allows the parallel universe’s childless William to learn what he’s lost by not having kids to teach him patience and open him up emotionally. But the mischief/discipline scenario becomes repetitive, and despite the sisters’ hijinks, the novel provides little to characterize the girls except that Diane likes to read and Robin’s hobby is geology. At times, the style feels unnaturally slick, as in “Some even paused to watch the merry scene,” or generic: “The girls enjoyed living in space and they loved being with their father.” Similarly, overused dialogue tags (“teased with a grin”; “asked pleadingly”) slow down the pace and give an artificial tinge to the writing, analogous to adding a laugh track. They tell rather than show.

A cozy family adventure that’s sometimes overly superficial.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Manuscript

Review Posted Online: March 30, 2021

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CAPTAIN UNDERPANTS AND THE REVOLTING REVENGE OF THE RADIOACTIVE ROBO-BOXERS

From the Captain Underpants series , Vol. 10

Series fans, at least, will take this outing (and clear evidence of more to come) in stride.

Zipping back and forth in time atop outsized robo–bell bottoms, mad inventor Tippy Tinkletrousers (aka Professor Poopypants) legs his way to center stage in this slightly less-labored continuation of episode 9.

The action commences after a rambling recap and a warning not to laugh or smile on pain of being forced to read Sarah Plain and Tall. Pilkey first sends his peevish protagonist back a short while to save the Earth (destroyed in the previous episode), then on to various prehistoric eras in pursuit of George, Harold and the Captain. It’s all pretty much an excuse for many butt jokes, dashes of off-color humor (“Tippy pressed the button on his Freezy-Beam 4000, causing it to rise from the depths of his Robo-Pants”), a lengthy wordless comic and two tussles in “Flip-o-rama.” Still, the chase kicks off an ice age, the extinction of the dinosaurs and the Big Bang (here the Big “Ka-Bloosh!”). It ends with a harrowing glimpse of what George and Harold would become if they decided to go straight. The author also chucks in a poopy-doo-doo song with musical notation (credited to Albert P. Einstein) and plenty of ink-and-wash cartoon illustrations to crank up the ongoing frenzy.

Series fans, at least, will take this outing (and clear evidence of more to come) in stride. (Fantasy. 10-12)

Pub Date: Jan. 15, 2013

ISBN: 978-0-545-17536-4

Page Count: 224

Publisher: Scholastic

Review Posted Online: Dec. 12, 2012

Kirkus Reviews Issue: Jan. 1, 2013

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THE LAST EVER AFTER

From the School for Good and Evil series , Vol. 3

Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...

Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.

Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.

Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)

Pub Date: July 21, 2015

ISBN: 978-0-06-210495-3

Page Count: 672

Publisher: Harper/HarperCollins

Review Posted Online: June 25, 2015

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