How to get away from it all while taking it all with you.
A self-described Jewish princess from Long Island, Orion (Psychiatry/Univ. of Colorado; I Know You really Love Me: A Psychiatrist’s Account of Stalking and Obsessive Love, 1997) grudgingly accompanied her gung-ho husband on a yearlong trek around the country in a converted bus, despite her addiction to designer couture and general disinterest in leaving the house. A series of minor setbacks ensued (malfunctioning door, difficulties parking, etc.), but the journey passed pleasantly enough, as the author learned to prioritize relationships and experiences over material things and engage with the world beyond her television set. Mildly amusing situations and observations abound; Orion is relentlessly quippy, making the book resemble a low-impact remake of the screwball road-trip comedy The Long, Long Trailer with Rita Rudner playing the Lucille Ball role. It’s difficult, however, to sustain interest in the author’s many anecdotes concerning the cute antics of her pets or her beloved husband’s zeal for DIY projects. The material is simply too mundane, and while Orion tries gamely, her employment of goofy puns, warmed-over self-deprecatory shtick and Erma Bombeckian wry homilies fails to transform the proceedings into comic gold. Her spiritual epiphanies likewise grate: Grand renunciation of material pleasures is a bit much coming from someone who can afford to take a year off work and seek out “authentic” experiences from the comforts of a diesel-guzzling luxury recreational vehicle. The book is also unsatisfying as a travelogue, since Orion’s interest remains stubbornly focused on her cozy domestic concerns. The surprising paucity of reportage on local color and customs or the variations in landscape, architecture and cuisine contributes to an overriding atmosphere of twee self-congratulation as the author announces her newfound willingness to hike a mountain path or cut back on her television consumption.
Charming enough in small doses, but ultimately irritating and inconsequential.
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").
This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)