An insightful and fascinating examination of Ginsburg as woman and jurist.
Ruth Bader Ginsburg witnessed and experienced discrimination, both subtle and overt, that profoundly affected her choices and the direction her life would take.
Her mother was denied many opportunities, but she was determined that Ruth would achieve independence. She died just before Ruth’s high school graduation, never seeing her daughter’s splendid achievements. Colleges had quotas for admitting women, Jews, and racial minorities. School administrators openly disparaged women, and there were severe restrictions regarding housing, dining, curfews, and studying. Women, including Ruth, had to leave jobs when pregnant. There was discrimination in hiring for positions in law firms or for clerkships. But Ruth persevered, with her husband as equal life-partner every step of the way. While a law professor at Rutgers University she participated in a successful lawsuit seeking equal pay with her male counterparts. Many more lawsuits seeking to end gender inequities followed. As lawyer, federal judge, and the second woman appointed to the Supreme Court, her remarkable career was forged from strength, determination, and pure guts. Rappaport tells Ruth’s story chronologically, punctuating it with Bader’s own words. Differing typesets, font sizes, and colors separate the quotes from the cogent, informative narration supplied. Per series formula, there is no title on the front cover—just Velasquez’s oil portrait depicting her intensity and serious demeanor. Interior illustrations focus on Ruth in every phase of her life and perfectly match the text.
An insightful and fascinating examination of Ginsburg as woman and jurist. (timeline, author’s note, illustrator’s note, selected bibliography, additional resources) (Picture book/biography. 7-10)Pub Date: Feb. 11, 2020
ISBN: 978-148474717-9
Page Count: 48
Publisher: Disney-Hyperion/LBYR
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
Go adventuring with a better guide.
Find something to do in every state in the U.S.A.!
This guide highlights a location of interest within each of the states, therefore excluding Washington, D.C., and the territories. Trivia about each location is scattered across crisply rendered landscapes that background each state’s double-page spread while diminutive, diverse characters populate the scenes. Befitting the title, one “adventure” is presented per state, such as shrimping in Louisiana’s bayous, snowshoeing in Connecticut, or celebrating the Fourth of July in Boston. While some are stereotypical gimmes (surfing in California), others have the virtue of novelty, at least for this audience, such as viewing the sandhill crane migration in Nebraska. Within this thematic unity, some details go astray, and readers may find themselves searching in vain for animals mentioned. The trivia is plentiful but may be misleading, vague, or incorrect. Information about the Native American peoples of the area is often included, but its brevity—especially regarding sacred locations—means readers are floundering without sufficient context. The same is true for many of the facts that relate directly to expansion and colonialism, such as the unexplained near extinction of bison. Describing the genealogical oral history of South Carolina’s Gullah community as “spin[ning] tales” is equally brusque and offensive. The book tries to do a lot, but it is more style than substance, which may leave readers bored, confused, slightly annoyed—or all three. (This book was reviewed digitally with 12.2-by-20.2-inch double-page spreads viewed at 80% of actual size.)
Go adventuring with a better guide. (tips on local adventuring, index) (Nonfiction. 8-10)Pub Date: Oct. 6, 2020
ISBN: 978-0-7112-5445-9
Page Count: 112
Publisher: Wide Eyed Editions
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
Visuals dominate on the page. Harris adds to large photos and samples of Parrish’s adult work an elaborately detailed dragon...
The generous (if selective and unfocused) array of pictures don’t quite compensate for a vague, sketchy accompanying narrative in this biography, the first about the influential painter aimed at young people.
Visuals dominate on the page. Harris adds to large photos and samples of Parrish’s adult work an elaborately detailed dragon he drew at age 7, a letter from his teens festooned with funny caricatures and a page of college chemistry notes tricked out with Palmer Cox–style brownies. Rather than include “Daybreak” (his most famous work) or any of Parrish’s characteristically androgynous figures, though, she tucks in semi-relevant but innocuous images from other artists of places Parrish visited and—just because in his prime he was grouped with them for the wide popularity of his reproduced art—a Van Gogh and a Cézanne. Along with steering a careful course in her account of Parrish’s private life (avoiding any reference to his lifelong mistress and frequent model Sue Lewin, for instance), the author makes only a few vague comments about the artist’s distinctive style and technique. In the same vein, she passes quickly over his influences, reduces all of his book-illustration work to one brief mention and closes with the laughable claim that he was the first artist in history who “created for more than a few.”Pub Date: Sept. 1, 2011
ISBN: 978-1-4556-1472-1
Page Count: 32
Publisher: Pelican
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
BOOK REVIEW
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