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MY NAME IS Y

A vivid and emotionally felt account of full engagement with the world.

Awards & Accolades

Our Verdict

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This memoir, a collection of 25 short essays, looks back on a Northern California woman’s life as an activist, writer, wife, and mother.

As Stock (Three Tales From the Archives of Love, 2018, etc.) explains in an epilogue dated Valentine’s Day 2018, the pieces assembled here were written 32 years ago, in the mid-1980s. The author refers to herself and others only by initials. For example, she is Y; her husband M; their elder daughter R; middle child A, a girl; and their youngest, a boy, B. Each chapter is a stand-alone essay on topics that include Stock’s anguish about nuclear testing and the Chernobyl disaster; family memories and events; dreams; moments of reflection; and nature. Many chapters begin with (and are punctuated by) the time of day, as the author ranges between present-day events and recollections of the past. Her close observation of everyday life brings a poetic quality to the essays. The voice is lyrical and the overall tone poignant, with even moments of joy often being threaded through with an awareness of complicity in and responsibility to stand against the world’s injustices. In an essay about Memorial Day and the Vietnam War, for example, Stock recalls the birth of her son and how the words “It’s a boy” signified “the moment I became a conscious political being.” Years later, seeing the movie Platoon with her son, he jerks at the violence onscreen; she writes, “If I am weeping, it is only because I am alive.” On a few occasions, the tone can become overwrought; the opening piece, in particular, on the Hiroshima bombing, uncomfortably over-identifies the narrator, a Marin County woman married to a surgeon, with the Japanese victims. She speaks in their voice—“I am the prolonged taste of tortured matter”—and performs activities (including driving her Volvo, swimming laps, and crossing the street) “in memory of the bombing of Hiroshima.” But the author’s thoughtfulness usually prevents didacticism.

A vivid and emotionally felt account of full engagement with the world.

Pub Date: N/A

ISBN: 978-1-60052-154-6

Page Count: 149

Publisher: Norfolk Press

Review Posted Online: June 17, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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