by Doreen Stock ‧ RELEASE DATE: Jan. 25, 2018
These stories about remarkable women deliver an elegant blend of history and art.
Awards & Accolades
Our Verdict
GET IT
A collection of novellas offers three tales drawn from the rich soil of Jewish history.
This book finds its origin in a handful of artifacts: a pair of letters from medieval Europe, a stone inscription from imperial Rome, and an assortment of papyri from ancient Egypt. These treasures bear traces of the lives of a trio of extraordinary women: a convert to Judaism forced to carry on after her husband’s death; a Jerusalemite captured and sent to Rome after the fall of the Great Temple; and an Egyptian slave who builds a family and a home with the Jewish priest who takes her as his bride. In this collection, Stock (In Place of Me, 2015, etc.) takes the stories—whose contours are merely hinted at in the artifacts themselves—and fleshes them out, extrapolating lives and worlds from ancient etchings on rock, paper, and parchment. For too long, the history of Jews (and gentiles, for that matter) has focused on men, and one of Stock’s goals in building out her tales is to give voices to the women whose lives made up so much of the rich tapestry of Judaism. As Senior Rabbi Stacy Friedman writes in her liner notes, these voices have been “long suppressed by the larger currents of history.” Stock’s excavation, then, is an extremely worthy project. But it’s clear her fascination with these tales is not only political; it is also imaginative, and she breathes life and energy into the narratives these artifacts imply (“The destruction of the Great Temple in Jerusalem flickered through her. Often when she closed her eyes some part of the horror would rise up, tilting crazily then turning in her mind, until she seemed to be seeing it all under water”). A skilled prose stylist, the author pulls off a delicate balancing act between the modern and the ancient; her rendering of these lives feels both contemporary and of their own time. The enterprise’s only weakness is its structure. Stock decides to set her stories in reverse chronological order, and the effect is a bit confusing: presumably, the culmination of these tales comes in the experiences of Jewish women today, so it’s a bit odd that the end of her collection leaves readers on an island in the Nile two and a half millennia ago.
These stories about remarkable women deliver an elegant blend of history and art.Pub Date: Jan. 25, 2018
ISBN: 978-1-60052-144-7
Page Count: 314
Publisher: Norfolk Press
Review Posted Online: Dec. 12, 2017
Kirkus Reviews Issue: Feb. 1, 2018
Review Program: Kirkus Indie
Share your opinion of this book
More by Doreen Stock
BOOK REVIEW
by Doreen Stock
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
Share your opinion of this book
More by Harper Lee
BOOK REVIEW
by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
More About This Book
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
Share your opinion of this book
More by Paulo Coelho
BOOK REVIEW
by Paulo Coelho ; translated by Margaret Jull Costa
BOOK REVIEW
by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
BOOK REVIEW
by Paulo Coelho ; translated by Eric M.B. Becker
More About This Book
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.