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WONDER WORLD KIDS by Dori Marx

WONDER WORLD KIDS

The Case of the Lost Llamas

by Dori Marx , illustrated by Priscila Orozco Gallo

Pub Date: Feb. 8th, 2019
ISBN: 978-1-73234-241-5
Publisher: Noreaster Times LLC

In this second children’s book series installment, three siblings travel to Peru with their veterinarian parents, who’ve been hired to locate missing llamas.

Marx’s (Wonder World Kids: The Mystery of the Dancing Horses, 2019) latest book opens with the Cook children—10-year-old Lilly, 8-year-old Fynn, and his twin sister, Celia—complaining about taking plane rides and cross-country bus trips, due to their parents’ job as consulting veterinarians. However, as the family arrives at Machu Picchu, the kids become excited to learn about the archaeological site and the creatures that live nearby. The veterinarians must lure a photogenic herd of llamas back to the popular tourist destination; little do they realize that the problem may be the tourists themselves. There are apparently no Peruvian llama experts who are qualified to take the case, so the Cooks consult with an anthropologist named Mrs. Curador. Her son, Maximo, is an excellent runner who teaches track athlete Fynn about the legacy of Inca chasquis runners and offers insights about Inca engineering as the kids explore the site. Bolded vocabulary words abound, and quick facts about Machu Picchu and its fauna round out the narrative, which finishes with a glossary. It’s unfortunate that the Peruvian characters, including scholars, make no mention of Spanish colonization; the glossary also implies that Inca culture has disappeared, although Quechua is still spoken. The observant Chef Chuchu, who offers essential insight into how area tourism has expanded, introduces Lilly, Fynn, and Celia to the traditional use of cuy, or guinea pigs, as meat animals. This latter shock inspires a thoughtful dialogue about cultural conceptions of animals as pets or meat. However, it’s followed by a guinea pig rescue operation by the Cooks, which undermines the message of tolerance. Animal lovers and young adventurers will appreciate the short chapters, sibling banter, and easy-to-read blocks of text, as well as debut artist Gallo’s black-and-white pen-and-ink illustrations. The book’s conclusion will prompt readers to consider the impact of tourism on the environment. That said, its depiction of white Americans helping Peruvians understand their own national animal seems unrealistic, to put it lightly. 

A sometimes-thoughtful animal-oriented family romp through the Andes with a few sticking points.