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THE CAPTAIN FINDS THE KEY

From the Captain Chronicles series , Vol. 3

An old-fashioned and uplifting tale starring a Civil War veteran.

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A heroic Confederate soldier-turned-minister faces his greatest enemy.

In this conclusion of her trilogy, Durbin (The Captain Seeks the Lost, 2015, etc.) presents the further adventures of Civil War veteran Capt. Harry Richardson, who was captured at Missionary Ridge and spent time as a prisoner of war. He later joined the U.S. Cavalry to fight Native Americans and received a theology degree so that he could embrace the peaceful life of a Georgia preacher in the town of Choestoe. Along the way, he fell in love with and married a strong-spirited woman named Sarah and started a family. But the central conceit of the author’s stories is that violence continues to find a way of touching the captain’s life, and that pattern holds true in this latest volume, matched with the other theme of the series: personal transformation. This applies not only to Harry, but also to this installment’s strong secondary hero, bootlegger-turned-sheriff Michael Gibson, whose narrative and relationship with nurse and midwife Molly Baldwin enliven the broader tale. As in earlier volumes, Durbin keeps the novel’s various plots bubbling at a steady pace, helped by the antagonism between Harry and one of the story’s array of morally conflicted figures, a man named Eldridge Payne. Payne elicits reactions from the protagonist that he’d like to think he’s outgrown. “As a preacher, he knew he should be concerned about Eldridge Payne’s soul,” Harry reflects at one point, “but what he wanted was retribution.” The author has a good ear for dialogue, a fine feel for pacing, and a knack for crafting characters—like Sarah, Harry, and Gibson—who are complex and intriguingly flawed but ultimately heroic. The action in this latest book is kicked off with the murder of a sheriff, a Confederate secret society called the Knights of the Golden Circle, and a secret room whose contents might change the captain’s life forever. Those coming to this volume cold will be confused about the finer details, but longtime readers of the series should be smiling at its conclusion.

An old-fashioned and uplifting tale starring a Civil War veteran.

Pub Date: Sept. 21, 2018

ISBN: 978-1-973639-22-0

Page Count: 266

Publisher: Westbow Press

Review Posted Online: Jan. 15, 2019

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THE FIXER

"I'm Yakov Fixer... I'm the kind of man who finds it perilous to be alive." He is childless, as the Talmud said, alive but dead, and deserted by his wife. He leaves his native shtetl for Kiev to pass for a few months as a goyim. Then he is arrested for having counterfeited a name and is later accused of killing a child in a ritual murder. This is the Russia of Nicholas the Second, the increasing irrationale of anti-Semitism, the prophetic "stink of future evil"— and there seems to be no question that this is Malamud's strongest book. There may be more question whether Yakov is one of his "saint-schlemiehls." He's a simple man, an ignorant man, but he reads a little (Spinoza) and he thinks. Even in his outraged innocence he knows that he is a "rational being and a man must try to reason." During these long months of interrogation and internment, he develops a certain philosophy of his own even though "it's all skin and bones." But speculate as he does, protest as he does, how accept the fact that he is one of the chosen people, chosen to represent the destiny and racial guilt of the Jews? As a Job, and several of Malamud's earlier characters have been termed Jobs, he repudiates suffering and eventually his hate is stronger than his fear... Anticipating all the inevitable comparisons to which the book is equal, Malamud's Fixer, less ideological than Koestler's Darkness at Noon, less symbolic than Kafka's Trial, has elements of each but a more exposed humanity than either of them. It is a work of commanding power.

Pub Date: Sept. 7, 1966

ISBN: 1412812585

Page Count: 354

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 28, 2011

Kirkus Reviews Issue: Sept. 1, 1966

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THE GOLEM AND THE JINNI

Two lessons: Don’t discount a woman just because she’s made of clay, and consider your wishes carefully should you find that...

Can’t we all just get along? Perhaps yes, if we’re supernatural beings from one side or another of the Jewish-Arab divide.

In her debut novel, Wecker begins with a juicy premise: At the dawn of the 20th century, the shtetls of Europe and half of “Greater Syria” are emptying out, their residents bound for New York or Chicago or Detroit. One aspirant, “a Prussian Jew from Konin, a bustling town to the south of Danzig,” is an unpleasant sort, a bit of a bully, arrogant, unattractive, but with enough loose gelt in his pocket to commission a rabbi-without-a-portfolio to build him an idol with feet of clay—and everything else of clay, too. The rabbi, Shaalman, warns that the ensuing golem—in Wecker’s tale, The Golem—is meant to be a slave and “not for the pleasures of a bed,” but he creates her anyway. She lands in Manhattan with less destructive force than Godzilla hit Tokyo, but even so, she cuts a strange figure. So does Ahmad, another slave bottled up—literally—and shipped across the water to a New York slum called Little Syria, where a lucky Lebanese tinsmith named Boutros Arbeely rubs a magic flask in just the right way and—shazam!—the jinni (genie) appears. Ahmad is generally ticked off by events, while The Golem is burdened with the “instinct to be of use.” Naturally, their paths cross, the most unnatural of the unnaturalized citizens of Lower Manhattan—and great adventures ensue, for Shaalman is in the wings, as is a shadowy character who means no good when he catches wind of the supernatural powers to be harnessed. Wecker takes the premise and runs with it, and though her story runs on too long for what is in essence a fairy tale, she writes skillfully, nicely evoking the layers of alienness that fall upon strangers in a strange land.

Two lessons: Don’t discount a woman just because she’s made of clay, and consider your wishes carefully should you find that magic lamp.

Pub Date: April 23, 2013

ISBN: 978-0-06-211083-1

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: March 30, 2013

Kirkus Reviews Issue: April 15, 2013

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