by Dorothy Gilman ‧ RELEASE DATE: Jan. 2, 2002
Madame Karitska is an appealing figure, and Gilman handles the psychic aspects of these episodes with refreshingly...
In a departure from her Mrs. Pollifax series (Mrs. Pollifax Unveiled, 2000, etc.), Gilman revisits Madame Karitska, a psychic from a previous novel (The Clairvoyant Countess, not reviewed) whose full name, Countess Marina Elena Provotchnichet Gaylord Von Domm Karitska, reflects her exotic and checkered past. She has set up shop (“Madame Karitska, Readings”) in a seedy Bohemian section of New York City. The people from all walks of life who consult her include Detective Lieutenant Pruden, who reluctantly relies on her clairvoyance and her psychometric ability to perceive something about people from objects they have handled to help him with tough cases. Now Madame Karitska literally brings a case to him: a briefcase full of diamonds that an old acquaintance, pursued by an evil-looking character, tossed to her on a subway. In turn, Pruden asks Madame to “read” a gold cross worn by a young music student killed in an apparent hit-and-run accident. When she picks up the cross, Madame sees an alarming obsession. Another client brings her the ring worn by her husband, passionately committed to the same cultlike organization that claimed the daughter of an old friend and former client. With each case, the stakes grow, but Madam Karitska sails through them all with the calm, compassionate wisdom of a combination social worker, matchmaker, and nemesis.
Madame Karitska is an appealing figure, and Gilman handles the psychic aspects of these episodes with refreshingly down-to-earth practicality, but Kaleidoscope remains an uneven collection of short stories, ranging from the sentimental to the melodramatic.Pub Date: Jan. 2, 2002
ISBN: 0-345-44820-0
Page Count: 208
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 2001
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by J.A. Jance ‧ RELEASE DATE: April 2, 2019
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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by J.A. Jance
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by J.A. Jance
by Patricia Cornwell ‧ RELEASE DATE: Oct. 23, 2007
Proceed at your own risk.
Pioneering pathologist Kay Scarpetta (Trace, 2004, etc.) goes up against a wraithlike killer whose self-appointed mission is to “relieve others of their suffering.”
Practice, practice, practice. If only 16-year-old South Carolina tennis phenom Drew Martin had stuck to the court instead of going off to Rome to party, her tortured corpse wouldn’t be baffling the Italian authorities, headed inexplicably by medico legale Capt. Ottorino Poma, and the International Investigative Response team, which includes both Scarpetta and her lover, forensic psychologist Benton Wesley. But the young woman’s murder and the gruesome forensic riddles it poses are something of a sideshow to the main event: the obligatory maundering of the continuing cast. Wesley still won’t leave Boston for the woman he tepidly insists he loves. Scarpetta’s niece, computer whiz Lucy Farinelli, continues to be jealously protective of her aunt. Scarpetta’s investigator, Pete Marino, is so besotted by the trailer-trash pickup who’s pushing his buttons that he does some terrible things. And Scarpetta herself is threatened by every misfit in the known universe, from a disgruntled mortician to oracular TV shrink Marilyn Self. Cornwell’s trademark forensics have long since been matched by Karin Slaughter and CSI. What’s most distinctive about this venerable franchise is the kitchen-sink plotting; the soap-opera melodrama that prevents any given volume from coming to a satisfying end; and the emphasis on titanic battles between Scarpetta and a series of Antichrists.
Proceed at your own risk.Pub Date: Oct. 23, 2007
ISBN: 978-0-399-15393-8
Page Count: 416
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2007
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