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VIRUS HUNT

THE SEARCH FOR THE ORIGIN OF HIV

A wonderful source book for professionals and a highly informative, often engrossing tale for lay readers willing to apply...

A meticulous unfolding of how, when, where and why HIV took off.

Make that HIV-1, group M, as one thing Crawford (Medicine/Univ. of Edinburgh; The Invisible Enemy: A Natural History of Viruses, 2003, etc.) makes clear is that the world of simian and human immunodeficiency viruses (SIVs and HIVs) is rich, complex and constantly changing due to high mutation rates. By 1983, it was known that a virus was the cause of AIDS. Researchers quickly established that the “gay disease" in America was the same as the heterosexual “slim disease” in central Africa, both caused by a retrovirus of the lentivirus, or slow virus family, so-called because of the long lag time between infection and the end stages of disease. The canny observation of a similar disease in Asian macaques at the U.S. National Primate Centers spurred a focus on primates in Africa; there was reason to believe that the macaques had picked up an SIV from African primates there. How the simian virus jumped to humans is a tangled tale whose unraveling involved international collaborations among epidemiologists, demographers, virologists and evolutionary molecular biologists. The researchers eventually pinned down the origins of HIV-1 to chimpanzees in Cameroon, and the less aggressive HIV-2 disease to West African sooty mangabeys. Getting to that point meant digging into stored blood and tissue samples in Europe and Africa, testing captive primates, and developing techniques for extracting HIV antibodies and viral DNA from urine and fecal samples from primates in the wild. The current consensus is that HIV-1 cases date back to the 1900s and were amplified in the 1920s by mass vaccinations and unsterilized needles. AIDS became a pandemic in recent decades thanks to warfare, global travel, changing mores, movements to cities, the growth of commercial sex workers and the market for bush meat, to name only the most prominent in a vast array of factors.

A wonderful source book for professionals and a highly informative, often engrossing tale for lay readers willing to apply due diligence.

Pub Date: Aug. 1, 2013

ISBN: 978-0-19-964114-7

Page Count: 256

Publisher: Oxford Univ.

Review Posted Online: March 30, 2013

Kirkus Reviews Issue: April 15, 2013

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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