Only the newest arrivals to Shelley-land will discover any novelty here.
Better known as children’s authors (In Darkness, Death, 2004, etc.), the Hooblers address the adult market with a biography of Frankenstein creator Mary Shelley based on a very shaky premise.
Shelley’s famous novel somehow cursed the lives of George Gordon, Lord Byron and his four guests at Villa Diodati on the night when Byron proposed the celebrated ghost story competition, the authors declare. “A dark star hung over all [those] brilliant young people,” they ominously intone. Within a decade of that summer evening in 1816, Mary and Percy Bysshe Shelley lost several babies, then Percy drowned; Mary’s stepsister Claire Clairmont gave birth to Byron’s child, who died at age five; Byron himself was dead before he turned 40; and his friend John Polidori, fifth at the villa, was a probable suicide at 25. They may well have deserved their fates, according to the Hooblers’ highly colored rendering, which depicts everyone involved in Mary’s life as “monsters” in some vague metaphorical sense. Much of what the authors assert is unremarkable. In the early 19th century, children often died young, as did adults. People then—and now—were unfaithful to their spouses, became unhappy and killed themselves, possessed character flaws. In other words, those in the Shelley circle were no more cursed or monstrous than the rest of humanity. The Hooblers further strain their biography’s already over-contrived reliance on Mary’s novel by arguing that she became, in effect, Victor Frankenstein when she devoted herself to reviving her dead husband by publishing his complete poems and burnishing his tarnished reputation. This requires the authors to give very scant attention to Mary’s considerable post-Frankenstein production of novels, stories and nonfiction. Its thin thesis notwithstanding, the volume does reveal that the Hooblers have read the standard biographies of the principals as well as their published correspondence, journals and diaries.
Only the newest arrivals to Shelley-land will discover any novelty here.Pub Date: May 22, 2006
ISBN: 0-316-00078-7
Page Count: 336
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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