THE BELOVED DEARLY

Recast from a prizewinning stage production, this patchy tale of a young entrepreneur has a satiric edge that will play better to adult audiences. Ever on the lookout for moneymaking opportunities, young Ernie Castellano hits paydirt when he converts an empty lot into a pet cemetery. Thanks to some high pressure sales tactics, plus a hired staff than includes Dusty, a nerdy but loyal artist with a genius for turning junk into elaborately decorated coffins; Swimming Pool, quaintly introduced as a “tomboy,” who discovers an innate talent for feeling a bereaved pet owner’s pain; and Tony, a “scrappy” eight-year-old boy-with-a-shovel, the funeral biz is soon booming. It’s not hard to see this show’s theatrical roots in the thoroughly typecast characters and in snappy, Little Rascals–style dialogue (Tony: “ ‘It’s not complicated. When I got a gig, I gotta dig. That’s my motto. I’m an independent contractor’ ”) that Cooney’s interpolated narrative passages only serve to slow down. Most of all there’s a string of stagy set pieces that end with Ernie and his Dad both grieving in the wake of Ernie’s Mom’s death from cancer, growing closer by decorating the grave of the family dog together. Young readers are unlikely to give this a standing ovation, but the broadly brushed comedy and sentiment may draw an occasional chuckle or tear. (Fiction. 10-12)