A big thinker turns his mind to the essence of his happiness in a memoir that’s easy to read and maybe even follow.

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HAPPINESS

THE ART OF LIVING WITH PEACE, CONFIDENCE AND JOY

After his cancer diagnosis, a big company’s CEO explains how he became a student and teacher of the practical skills of happiness.

Smith describes happy people as being grounded in three things: remembering the past with peace, anticipating the future with confidence and living in the present with joy. He then identifies 13 specific skills, for which anyone can become proficient with practice, to create and support happiness, all of which are underpinned by love. The clarity and thoughtfulness that Smith brings to this book have been distilled through years of teaching a class on happiness at DePauw University, and he offers clear advice with quiet authenticity, grace and none of the distasteful aggressiveness that can be found in the methods of some self-help books. Smith’s tools are simple but not simplified, aiming for, in the words of Oliver Wendell Holmes, “simplicity on the other side of complexity.” He neither turns his back on his corporate past nor insists on applying a CEO’s toolset to a more mindful approach to life, making his words more broadly appealing. Smith tells his own life story, sharing the challenges and successes he found in articulating and manifesting the skills of happiness, and how he enriched his life by spending time alone in nature and with his wife and two sons. He shares his journey confronting the realities of his illness—chronic lymphocytic leukemia—while trying to nurture five thing in life: “grace, gratitude, courage, peace, and time,” each with deep sincerity. Yet he doesn’t infuse his own narrative with a much grander meaning, as can be common in books written by those who teach from their own lives. Instead, his well-articulated though not quite groundbreaking story helps by sharing one way to find personal joy by focusing on how we relate to ourselves and others.

A big thinker turns his mind to the essence of his happiness in a memoir that’s easy to read and maybe even follow.

Pub Date: Jan. 2, 2014

ISBN: 978-0986070808

Page Count: 192

Publisher: White Pine Mountain

Review Posted Online: April 4, 2014

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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A succinct, passionate guide to fostering creativity.

HOW TO BE AN ARTIST

A noted critic advises us to dance to the music of art.

Senior art critic at New York Magazine and winner of the 2018 Pulitzer Prize in Criticism, Saltz (Seeing Out Louder, 2009, etc.) became a writer only after a decadeslong battle with “demons who preached defeat.” Hoping to spare others the struggle that he experienced, he offers ebullient, practical, and wise counsel to those who wonder, “How can I be an artist?” and who “take that leap of faith to rise above the cacophony of external messages and internal fears.” In a slim volume profusely illustrated with works by a wide range of artists, Saltz encourages readers to think, work, and see like an artist. He urges would-be artists to hone their power of perception: “Looking hard isn’t just about looking long; it’s about allowing yourself to be rapt.” Looking hard yields rich sources of visual interest and also illuminates “the mysteries of your taste and eye.” The author urges artists to work consistently and early, “within the first two hours of the day,” before “the pesky demons of daily life” exert their negative influence. Thoughtful exercises underscore his assertions. To get readers thinking about genre and convention, for example, Saltz presents illustrations of nudes by artists including Goya, Matisse, Florine Stettheimer, and Manet. “Forget the subject matter,” he writes, “what is each of these paintings actually saying?” One exercise instructs readers to make a simple drawing and then remake it in an entirely different style: Egyptian, Chinese ink-drawing, cave painting, and the styles of other artists, like Keith Haring and Georgia O’Keeffe. Freely experiment with “different sizes, tools, materials, subjects, anything,” he writes. “Don’t resist something if you’re afraid it’s taking you far afield of your usual direction. That’s the wild animal in you, feeding.” Although much of his advice is pertinent to amateur artists, Saltz also rings in on how to navigate the art world, compose an artist’s statement, deal with rejection, find a community of artists, and beat back demons. Above all, he advises, “Work, Work, Work.”

A succinct, passionate guide to fostering creativity.

Pub Date: March 17, 2020

ISBN: 978-0-593-08646-9

Page Count: 144

Publisher: Riverhead

Review Posted Online: Nov. 5, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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