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THE NIXON TAPES

1971-1972

Essential for students of the era and fascinating for those who lived it.

An eye-opening reckoning of crimes, misdemeanors and bugging technology 40 years after Richard Nixon’s ignominious departure from the White House.

Brinkley (History/Rice Univ.; Cronkite, 2012, etc.) teams up with Nichter (Texas A&M Univ., Central Texas; Richard M. Nixon: In the Arena, from Valley to Mountaintop, 2014, etc.) to look for the smoking gun in the vast mass of tapes—3,700 hours—Nixon secretly made during his time as president. As they note, the tapes “gave Nixon an accurate record of his meetings and phone calls without the need for someone to sit in and take notes.” Of course, they also gave Nixon something to pore over as well, and they are so abundant that the authors reckon the whole corpus will probably never be completely transcribed. What we have here is damning enough, though not much that the tapes reveal comes as a real surprise: Henry Kissinger reckoned that owing to the weakness of our supposed allies in Indochina (“the South Vietnamese aren’t going anywhere where they’re going to suffer casualties right now”), it was justified to invade theoretically neutral Laos. U.S. ambassador Ellsworth Bunker believed that things were fine in Vietnam “except for this damn drug business.” Nixon, reckoning that by sitting down to negotiate with the Soviet foe he would court a disastrous attack from the right wing of his own Republican Party, fell back on football metaphors: “this is just scoring a damn touchdown, but it’s one that’s going to—maybe, we’ll be able to hold and still win the game in the public opinion field.” The takeaway? Granted that it’s nothing new—see Robert Altman’s film Secret Honor—but Nixon’s constant cynicism is the real hallmark of this anthology of transcriptions, most having to do with foreign policy in a fraught and tumultuous era. His conclusion? Said Nixon in May 1972, on the road to a landmark re-election victory: “The American people are suckers.”

Essential for students of the era and fascinating for those who lived it.

Pub Date: July 29, 2014

ISBN: 978-0-544-27415-0

Page Count: 784

Publisher: Houghton Mifflin Harcourt

Review Posted Online: July 29, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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