Next book

River Runs Deep

Informative, if somewhat fusty, musings on rivers and fishing which may interest literary sportsmen—and sportswomen.

In a debut nonfiction collection of personal stories, a Nova Scotian physician and sport fisherman recalls his days on the river and reflects on the lure of angling.

Atlantic Canada’s river systems have long inspired literary authors. David Adams Richards wrote about the Miramichi in Lines on the Water (1998), for example, and Hugh MacLennan wrote Seven Rivers of Canada (1961). Roy continues this tradition with 26 essays and short stories rife with fishing lore and literary references. Born in Cape Breton in 1923, Roy studied medicine and specialized in cardiology. Through a long professional career, he spent many days, even weeks, on the river, tying flies, netting fish and taking copious notes. Essays born of time spent “out-of-doors,” as Roy says, reveal sensibilities common to writers and fishers, such as the composure to sit for many fruitless hours and the fastidiousness to knot deer hair and record dinner menus. Indeed, Roy offers countless details of his early fishing trips throughout the region: routes traveled, bait used, fish caught, natural history—and, yes, daily meals. These recollections maintain a 1940s and ’50s tone which, for some readers, may seem overly quaint or simply outdated. The phrase “A lot of baloney,” for instance, sits alongside “Micmac Indian,” an erroneous term, now considered disparaging. In one of several dreamlike, fictional pieces, salmon discuss threats to their survival, including dams, aquaculture, acid rain, and “Indians” who are “more stupid than the white man in matters pertaining to our preservation.” That said, Roy writes clearly, at times beautifully, of his awe before the river and his respect for the Atlantic salmon. Among quotations from Henry David Thoreau and Rudyard Kipling, he meditates on the soul, contemplates the mayfly’s brief existence and decries current declines in fish stocks. Readers may sense a turbulent undertow in this calm physician/fisherman. But although Roy doesn’t lack feeling, his more egregious anachronisms may be jarring. For example, in “Gender and Fishing,” Roy acknowledges his “atavistic” unease when “a member of the fairer sex” joins him on the riverbank.

Informative, if somewhat fusty, musings on rivers and fishing which may interest literary sportsmen—and sportswomen.

Pub Date: Jan. 25, 2013

ISBN: 978-1770978850

Page Count: 304

Publisher: FriesenPress

Review Posted Online: July 5, 2013

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview