Goes down like cheddar-flavored potato chips.
Second in the series featuring mysterious, ultrawealthy, polymathic FBI Special Agent Aloysius Pendergast.
Brimstone (2004) ended on an outrageous cliffhanger: Pendergast about to be torn apart by boar-hounds.Now, this round opens with a poisoned, blood-spattered discussion of The Waste Land, then moves from one bizarre comic-strip panel to the next. Lieutenant Vincent D’Agosta, Watson to Pendergast’s Holmes, has moved in with Captain Laura Hayward, both NYPD, when he gets a “posthumous” note from Pendergast that tells him to take a leave of absence, use the $500,000 Pendergast has put into D’Agosta’s bank account, and stop the nameless but horrible crime about to be committed by Pendergast’s warped younger brother, Diogenes, a badly wired genius. A visit by D’Agosta to Mount Mercy Hospital for the Criminally Insane on Little Governor’s Island allows the ancient family murderess Great-aunt Cornelia Pendergast to reveal to D’Agosta that Diogenes saw his parents burned alive as Satanists by a New Orleans mob. (Satan looms large in Brimstone.) Diogenes’ hideous crime is set for January 28, a few days off, the day he’ll kill Aloysius; he’s already killed Aloysius’ two closest friends from his youth and has his eye on D’Agosta, and perhaps on Laura. More bodies drop, including that of Margo Green, a Museum of Natural History officer who helped Pendergast break an earlier case. Now, Diogenes announces, it’s time for D’Agosta to die. Pendergast decides to go to a great forensic profiler to get a fix on Diogenes. Arise, Eli Glinn, profiler supreme and for once a match for Pendergast. In an inspired chapter, Glinn’s shrink digs into Pendergast for repressed childhood memories about his brother. When the 28th arrives, Diogenes has already penetrated Pendergast’s sealed mansion on Riverside Drive. Cary Grant fans will delight in the arrival of gemologist George Kaplan (North by Northwest) while the theft of Lucifer’s Heart, the world’s greatest diamond, leads to yet another cliffhanger.
Goes down like cheddar-flavored potato chips.Pub Date: June 14, 2005
ISBN: 0-446-57697-2
Page Count: 432
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2005
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
An addictive psychological thriller.
When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.
Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.
An addictive psychological thriller.Pub Date: May 19, 2015
ISBN: 978-0-06-236225-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: March 1, 2015
Kirkus Reviews Issue: March 15, 2015
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
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