by Douglas Preston ; Lincoln Child ‧ RELEASE DATE: Aug. 5, 2014
Preston and Child keep an eye out for the legendary and introduce Cyclops, mystical humanoid, to stretch the boundaries of...
Preston and Child (Gideon’s Sword, 2011, etc.) sail Gideon Crew into his third adventure for Effective Engineering Solutions, a "company specializing in failure analysis" that's the brainchild of Eli Glinn, a banged-up ex-military genius who pilots his enterprise from a power wheelchair.
EES assigns Crew a simple Caribbean jaunt to find an exotic plant with near-magical healing powers. But first, he'll need to sneak into the Morgan Library in New York and steal part of Ireland’s priceless Book of Kells because the Phorkys Map, an ancient Greek text that points the way to the coveted plant, is on the reverse side. In spite of Swiss bank–level security, Crew’s now-you-see-it, now-you-don’t Kells caper takes no more time than he’ll need to sink a ship full of treasure-hunting Caribbean pirates. Thinking Crew knows the location of billions in bullion, the bad guys stumble upon him and his EES-assigned partner, Amy, a techno-type with Ph.D.s in classical languages and sociology. No meet-cute romance here for Crew and Amy; it’s eyes only on the map left by Odysseus, he of the legendary voyage. The authors crank up their descriptive powers when the pair meet Miskito Indians and then canoe offshore to search for the "lotus"—the healing plant—on deserted volcanic islands. Deserted because the census overlooked the last surviving Cyclops, "something out of a B movie, a huge muscled Neanderthal" who's "nine feet tall, with a massive head on a thickly muscled neck" and "a single glossy eye the size of a plate." The characters are static. The plot is breakneck violent. Geekery is prevalent, with Glinn employing QBA—supercomputer quantitative behavioral analysis, combining history, sociology and statistics which "can predict, to a certain extent, human behavior"—which works well except for the unforeseen murder and mayhem, betrayal and suicide.
Preston and Child keep an eye out for the legendary and introduce Cyclops, mystical humanoid, to stretch the boundaries of the action-adventure novel.Pub Date: Aug. 5, 2014
ISBN: 978-1-4555-2577-5
Page Count: 368
Publisher: Grand Central Publishing
Review Posted Online: June 4, 2014
Kirkus Reviews Issue: June 15, 2014
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edited by Margaret Atwood & Douglas Preston
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by Michael Crichton ‧ RELEASE DATE: May 23, 2017
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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by Karin Slaughter ‧ RELEASE DATE: Sept. 29, 2015
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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