Pendergast—an always-black-clad pale blond polymath, gaunt yet physically deadly, an FBI agent operating without supervision...
Preston and Child’s (Cold Vengeance, 2011, etc.) thriller completes the Helen trilogy featuring the weird and unworldly Aloysius Pendergast, special agent for the FBI.
The conclusion opens with Pendergast called to meet Helen, the wife he presumed dead, in New York City’s Central Park. There’s a touching, tentative reunion, and then Der Bund strikes again, kidnapping Helen and leaving Pendergast wounded. Pendergast offers a treatise on detection perfection, tracing Helen from hither and yon to Sonora, Mexico. There’s another shootout. Helen’s killed, and principal bad guy, Wulf Konrad Fischer, escapes. Pendergast retreats to his Dakota apartment in New York City and into a grief-and-guilt-driven drug addiction. Friends intervene. Lt. D’Agosta, city police detective, pleads for Pendergast to help search for a serial killer. Corrie Swanson, criminal justice student, is in danger after stumbling on a Nazi safe house in her quest to help Pendergast. With Pendergast’s aid, Corrie takes refuge with her estranged father, only to find him framed for a bank robbery. Psychiatrist Dr. John Felder discovers the institutionalized Constance Greene may truly be a century and a half old. Pendergast, intrigued by the bizarre serial murders, applies DNA analysis, which leads him to think the murderer is his brother Diogenes, a villain supposedly dead in a Sicilian volcano. Further analysis reveals truths even more grotesque. The most simplistic of the narratives follows Corrie clearing her father; the most gothic follows Felder seeking proof of Greene’s age; and the most violent follows Pendergast as he uncovers secrets about Helen and then takes revenge by breaching a Nazi refuge in Brazil. Pendergast’s narrative offers angst and ample bloodletting in gothic locales and confrontations with the issue of Mengele’s twins experiments mated with quantum mechanics and genetic manipulation. If Preston and Child fans haven’t read the first two volumes in the Helen trilogy, confusion will reign.
Pendergast—an always-black-clad pale blond polymath, gaunt yet physically deadly, an FBI agent operating without supervision or reprimand—lurks at the dark, sharp edge of crime fiction protagonists.Pub Date: Dec. 11, 2012
ISBN: 978-0-446-55499-2
Page Count: 480
Publisher: Grand Central Publishing
Review Posted Online: Sept. 26, 2012
Kirkus Reviews Issue: Oct. 15, 2012
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...
Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.
Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.Pub Date: Oct. 1, 2019
ISBN: 978-1-250-31307-2
Page Count: 448
Publisher: Flatiron Books
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
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