A stirring story of Berlin teens’ contributions to the Resistance, but a slightly blinkered view of the Holocaust limits the...
A historical novel focuses on Christian opposition to the Nazis in Germany during World War II.
As the book opens in June 1943, two 17-year-olds set out for Berlin. One is Marek Menkowicz; his parents (a Jewish mother and Roman Catholic father) are missing, so he’s departing Warsaw to stay with an uncle in the German capital. Marek learned to bake and operate a printing press at the monastery led by Father Maximilian Kolbe, later killed at Auschwitz. Meanwhile, history buff Liddy Mittendorf leaves her grandmother’s Munich home to return to the family bakery in Berlin. Her father, Klaus, works nights as a prison guard and delivers secret letters for Pastor Dietrich Bonhoeffer, arrested for plotting to kill Hitler. Impressed by Marek’s marble rye loaf, the Mittendorfs hire him to work mornings at the bakery; in his remaining time, he supports the Resistance by printing fake identification papers. The Mittendorfs don’t know he’s part-Jewish, and Liddy only later learns of his Resistance involvement. With Conrad Keppler of the Nazi police a frequent bakery visitor, the teens must be vigilant. Cornelius (Good News—I Failed, a Story of Inventing in Minnesota, 2011) weaves in the cameos from historical figures nicely and avoids stereotyping Nazis as heartless villains. For instance, Keppler, a former music professor, teaches 8-year-old Willy Mittendorf to play the piano, and the simple message of God’s unconditional love helps the Nazi overcome his bitterness about his brother’s death. Marek and Liddy are gutsy, relatable characters in a budding romance; their adventures should be inspirational for readers of Christian YA fiction. And Bonhoeffer’s words are as poignant as ever: “judging others makes us blind,” and “silence in the face of evil is evil itself.” But the redemption of an apparently evil character like Keppler, though touching, forms a bitter contrast with what happens to Marek and makes the sudden conclusion feel falsely positive. Everything’s coming up roses for the Mittendorfs, it seems, while the Jewish genocide only really appears via a concentration camp scene in a dream.
A stirring story of Berlin teens’ contributions to the Resistance, but a slightly blinkered view of the Holocaust limits the tale’s authenticity.Pub Date: Feb. 1, 2017
ISBN: 978-1-946016-10-2
Page Count: -
Publisher: Lighthouse Publishing of the Carolinas
Review Posted Online: Jan. 26, 2017
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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