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THE GIRL WHO LOST HER JOY

Kids with anxiety can see themselves in this tale and gain hope for recovery.

A girl with anxiety disorder learns how to manage her condition and discovers her skills in this illustrated children’s book.

An unnamed girl has a happy, secure life with her divorced parents, younger brother, and relatives. One day, though, something “terrible and sad” happens, and the girl never sees her auntie again. As a result, the girl becomes “sadder and sadder,” spending more time on her own and rejecting her friends. On top of that, she starts fretting all the time about making mistakes and trying new things; she has nightmares and panic attacks; her joy is lost. Her parents send her to a youth counselor, who recommends writing down worries and putting them in a box—“but the box was never big enough.” The child’s mother helps her winnow down the box of worries, and after a year, the girl starts feeling better and begins noticing her strengths, such as being organized, careful, sensitive, and imaginative. A diagnosis of anxiety disorder helps make sense of her experience, and she rediscovers her joy through helping others and embracing the support of “friends, family, and community.” Weston (The Boy Who Lost His Attention, 2019, etc.), an elementary school teacher with special needs students, explains anxiety disorder in terms children can understand. For example, the girl “worried about getting germs, so she constantly washed her hands over and over again until they bled.” The author’s tone is warm and sympathetic, and in stressing the girl’s talents, or “superpowers,” Weston provides a hopeful outlook. But she goes too far in suggesting that the girl has assets “that other people did not”; surely nonanxious children also can, for example, be “intelligent with an excellent memory.” The box technique seems to be about parental reassurance, but several experts note that reassurance is often ineffective. The book does include some (Canada-centric) basic information and resources on anxiety. The images by debut illustrator Shotton are bare-bones and often pixelated, with the girl far less detailed than her dog, Oliver (the only character with a name).

Kids with anxiety can see themselves in this tale and gain hope for recovery.

Pub Date: N/A

ISBN: 978-1-5255-3932-9

Page Count: -

Publisher: FriesenPress

Review Posted Online: March 15, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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