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Gryphon's Heir

THE ANNALS OF ARRINOR, BOOK 1

Fabulously layered mythmaking.

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In this debut fantasy, a schoolteacher is thrust into a contest for a medieval throne.

In 1924, Rhissan “Rhiss” Griffith teaches English literature at the Darkton School. Though only 25, he feels that his life has become a joyless slog, except when he and confidant Alistair practice their swordsmanship and archery. One day, Rhiss notices a richly decorated door in the school where it shouldn’t be. Behind it is a librarylike setting where he soon meets someone named Brother Gavrilos. He commiserates with Rhiss on his plight and encourages him to choose a life of difficulty and adventure by entering a second door, opposite the first. Before leaving for the realm of Arrinor, where he’s to help the rightful King win back the Crystal Throne, Rhiss receives magical items, including the Circlet of Araxis and a matching dagger. Once through the portal, he saves a young gryphon from flying creatures called Malmoridai; he names the orphaned creature Aquilea. Soon he encounters the Sovereign’s Men, who are about to harm a mother and daughter. Rhiss dispatches the brigands, then miraculously heals the daughter’s mortal wound. Does some sort of spiritual magic flow through Rhiss? Debut author Ranshaw crafts a literary epic apparently inspired by grand classics such as T.H. White’s The Once and Future King (1958) and the poems of Alfred, Lord Tennyson. He sends Rhiss not only to find the King but to master himself spiritually (with the help of a woman named Arian) and make ethical choices in a world savaged by the corrupt Usurper. Ranshaw’s prose is sharp and absorbing, with characters often discussing every facet of a situation before taking action. Major events are preceded by plenty of traveling, but they are worth the wait (“A roiling wave of dense, grey mist advanced swiftly and silently across the Moor from the south, a wave hundreds of feet high”). A scene in which a legendary sword appears is truly breathtaking. Monotheism and gender equality also prove to be engaging themes, which will hopefully reappear in the sequel.

Fabulously layered mythmaking.

Pub Date: June 1, 2015

ISBN: 978-1-4602-5763-0

Page Count: 360

Publisher: FriesenPress

Review Posted Online: Oct. 6, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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