Fans both young and formerly young will be pleased—100 percent.
Published in magazines, never seen since / Now resurrected for pleasure intense / Versified episodes numbering four / Featuring Marco, and Horton and more!
All of the entries in this follow-up to The Bippolo Seed and Other Lost Stories (2011) involve a certain amount of sharp dealing. Horton carries a Kwuggerbug through crocodile-infested waters and up a steep mountain because “a deal is a deal”—and then is cheated out of his promised share of delicious Beezlenuts. Officer Pat heads off escalating, imagined disasters on Mulberry Street by clubbing a pesky gnat. Marco (originally met on that same Mulberry Street) concocts a baroque excuse for being late to school. In the closer, a smooth-talking Grinch (not the green sort) sells a gullible Hoobub a piece of string. In a lively introduction, uber-fan Charles D. Cohen (The Seuss, The Whole Seuss, and Nothing but the Seuss, 2002) provides publishing histories, places characters and settings in Seussian context, and offers insights into, for instance, the origin of “Grinch.” Along with predictably engaging wordplay—“He climbed. He grew dizzy. His ankles grew numb. / But he climbed and he climbed and he clum and he clum”—each tale features bright, crisply reproduced renditions of its original illustrations. Except for “The Hoobub and the Grinch,” which has been jammed into a single spread, the verses and pictures are laid out in spacious, visually appealing ways.
Fans both young and formerly young will be pleased—100 percent. (Picture book. 6-9)Pub Date: Sept. 9, 2014
ISBN: 978-0-385-38298-4
Page Count: 56
Publisher: Random House
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
When Bibi, her first and favorite babysitter, moves away, it takes all of August for 8-year-old Eleanor to get beyond her sense of loss and get used to a new caretaker. Her parents grieve, too; her mother even takes some time off work. But, as is inevitable in a two-income family, eventually a new sitter appears. Natalie is sensible and understanding. They find new activities to do together, including setting up a lemonade stand outside Eleanor’s Brooklyn apartment building, waiting for Val, the mail carrier, and taking pictures of flowers with Natalie’s camera. Gradually Eleanor adjusts, September comes, her new teacher writes a welcoming letter, her best friend returns from summer vacation and third grade starts smoothly. Best of all, Val brings a loving letter from Bibi in Florida. While the story is relatively lengthy, each chapter is a self-contained episode, written simply and presented in short lines, accessible to those still struggling with the printed word. Cordell’s gray-scale line drawings reflect the action and help break up the text on almost every page. This first novel is a promising debut. Eleanor’s concerns, not only about her babysitter, but also about playmates, friends and a new school year will be familiar to readers, who will look forward to hearing more about her life. (Fiction. 7-9)
Pub Date: March 1, 2011
ISBN: 978-0-8109-8424-0
Page Count: 128
Publisher: Amulet/Abrams
Review Posted Online: Feb. 10, 2011
Kirkus Reviews Issue: Feb. 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fresh, if not quite as seamless, alternative to Robert D. and Daniel San Souci’s Song of Sedna (1981).
A popular Inuit cautionary legend, featuring a haughty young woman and a gruesome climactic twist.
Arnaq will accept no suitor, until a shaman sea bird disguised as a handsome young man sweeps her away with glittering promises to a wretched, reeking tent on a distant shore. When her father arrives to rescue her, the shaman raises such a storm that her terrified dad casts her overboard—and cuts off her fingers to keep her from holding on to the boat. Those fingers are transformed into whales and seals, and she, into a testy spirit named Nuliajuq, who calls up storms on all who “disrespect the land or the sea.” This and other modern-sounding lines (“Eventually Arnaq succumbed to complete depression”) give the otherwise formal narrative a playfully anachronistic air that may or may not be intentional. Lim illustrates the tale in a realistic rather than stylized way, using flowing lines and brush strokes to depict natural settings, faces, Arnaq’s lustrous locks (and, though seen only from a distance, fingerless hands), and a range of accurately detailed arctic and sea animals. In an afterword, the author explains that the sea spirit goes by several regional names; a pronunciation guide to Inuktitut words in this version is also included.
A fresh, if not quite as seamless, alternative to Robert D. and Daniel San Souci’s Song of Sedna (1981). (Picture book/folk tale. 7-9)Pub Date: March 1, 2015
ISBN: 978-1-927095-75-1
Page Count: 32
Publisher: Inhabit Media
Review Posted Online: Jan. 9, 2015
Kirkus Reviews Issue: Jan. 15, 2015
BOOK REVIEW
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