Full of humor and action, with easily recognizable emotions.
A nearly wordless graphic picture book illustrates the angst of a fledgling whose parent is determined to see it take its first flight.
The double-page spread encompassing the title page shows a small, comical bird sitting in a nest of twigs, dubiously eyeing a larger bird who flies above it with a facial expression of avian bliss. There follows a series of panels that show long-distance views of the larger bird gracefully landing in the nest occupied by, apparently, its progeny. The next double-page spread shows a single aerial view, with the little bird gazing far down to the earth. On the ensuing pages, the little bird exhibits high anxiety and clings to its parent with a large speech bubble that proclaims the titular “NOPE!” Over the course of the book, the little one—through pastel-tinged images in thought bubbles—imagines all the possible terrors it may encounter venturing from the nest, while its parent continues to encourage it to leave. There are occasional sound-effect words, such as “shake” and “flap,” and there is a full page of “no” in several different languages. Most of the story is told exclusively with the funny facial expressions and body language of two birds at cross purposes. The simple message is clear, and the humorous animals are foregrounded against pretty green and blue watercolor settings. Naturally, “nope” eventually changes to “yep.”
Full of humor and action, with easily recognizable emotions. (Picture book. 4-6)Pub Date: Jan. 17, 2017
ISBN: 978-1-101-99731-4
Page Count: 40
Publisher: Viking
Review Posted Online: Aug. 29, 2016
Kirkus Reviews Issue: Sept. 15, 2016
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the...
In this deceptively spare, very beginning reader, a girl assembles a robot and then treats it like a slave until it goes on strike.
Having put the robot together from a jumble of loose parts, the budding engineer issues an increasingly peremptory series of rhymed orders— “Throw, Bot. / Row, Bot”—that turn from playful activities like chasing bubbles in the yard to tasks like hoeing the garden, mowing the lawn and towing her around in a wagon. Jung crafts a robot with riveted edges, big googly eyes and a smile that turns down in stages to a scowl as the work is piled on. At last, the exhausted robot plops itself down, then in response to its tormentor’s angry “Don’t say no, Bot!” stomps off in a huff. In one to four spacious, sequential panels per spread, Jung develops both the plotline and the emotional conflict using smoothly modeled cartoon figures against monochromatic or minimally detailed backgrounds. The child’s commands, confined in small dialogue balloons, are rhymed until her repentant “Come on home, Bot” breaks the pattern but leads to a more equitable division of labor at the end.
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the rest. (Easy reader. 4-6)Pub Date: June 25, 2013
ISBN: 978-0-375-87083-5
Page Count: 32
Publisher: Random House
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
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