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THE RISE OF MR. WARDE

The tragicomic tale of a Victorian gentleman fallen prey to sexual lust—an eccentric and very amusing first novel, based on a true story, by an English writer. They appeared to be the quintessential English upper-class couple—Mr. Warde, a country squire whose vast estates were equaled in splendor only by his large stature and golden good looks, and Mrs. Warde, whose meek demeanor and religious fervor were all that could be required of a Victorian wife. When the countryfolk around Stratford-upon-Avon glimpsed the Wardes flying along the roads in their carriage full of blue-eyed children, they stopped to smile and wave—that is, until the first hint of unnatural goings-on surfaced in the summer of 1846. That summer the town learns that Mrs. Warde is preparing to desert her husband, and the reasons for her departure soon leave Stratford awash in outrage. As the Wardes battle viciously through a separation, divorce, and custody trial- -each paying the local commoners to testify against the other—Mr. Warde's base behavior is described in lurid detail. Accounts of his beating his wife, swearing in front of his children, refusing to attend church, and having intercourse with loose women shock the local gentry and result in the loss of Warde's wife, children, and reputation. Though Warde the Magnificent has been transformed into Warde the Infamous in the public eye, he maintains his usual genteel facade as he proceeds to take a mistress and sire three daughters with her. When the mistress in turn sues Warde for support, revealing in court his predilection for physical abuse, blasphemy, and sexual perversion, the squire seems at last done in. He takes to his bed, tended only by a scullery maid, and dies spurned and taunted by all the women of Stratford—an ignominious end for one who began life so well. For those who like their humor very dry—a bizarre literary treat.

Pub Date: Jan. 22, 1992

ISBN: 0-312-06932-4

Page Count: 224

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1991

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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