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THE RISE OF MR. WARDE

Name: THE RISE OF MR. WARDE
Author: Duncan Sprott
ISBN: 0-312-06932-4

by Duncan Sprott ‧ RELEASE DATE: Jan. 22, 1992

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The tragicomic tale of a Victorian gentleman fallen prey to sexual lust—an eccentric and very amusing first novel, based on a true story, by an English writer. They appeared to be the quintessential English upper-class couple—Mr. Warde, a country squire whose vast estates were equaled in splendor only by his large stature and golden good looks, and Mrs. Warde, whose meek demeanor and religious fervor were all that could be required of a Victorian wife. When the countryfolk around Stratford-upon-Avon glimpsed the Wardes flying along the roads in their carriage full of blue-eyed children, they stopped to smile and wave—that is, until the first hint of unnatural goings-on surfaced in the summer of 1846. That summer the town learns that Mrs. Warde is preparing to desert her husband, and the reasons for her departure soon leave Stratford awash in outrage. As the Wardes battle viciously through a separation, divorce, and custody trial- -each paying the local commoners to testify against the other—Mr. Warde's base behavior is described in lurid detail. Accounts of his beating his wife, swearing in front of his children, refusing to attend church, and having intercourse with loose women shock the local gentry and result in the loss of Warde's wife, children, and reputation. Though Warde the Magnificent has been transformed into Warde the Infamous in the public eye, he maintains his usual genteel facade as he proceeds to take a mistress and sire three daughters with her. When the mistress in turn sues Warde for support, revealing in court his predilection for physical abuse, blasphemy, and sexual perversion, the squire seems at last done in. He takes to his bed, tended only by a scullery maid, and dies spurned and taunted by all the women of Stratford—an ignominious end for one who began life so well. For those who like their humor very dry—a bizarre literary treat.

Pub Date: Jan. 22, 1992

ISBN: 0-312-06932-4

Page Count: 224

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1991

Categories:

GENERAL FICTION

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SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

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Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

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LAST ORDERS

by Graham Swift ‧ RELEASE DATE: April 5, 1996

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Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.