Sit back and listen to the words of the old folks and their bygone ways.

THE FLIGHT OF THE GOLDEN BIRD

SCOTTISH FOLK TALES FOR CHILDREN

More traditional tales from Scotland.

Williamson, who died in 2007, was one of Scotland’s Travelling People, and he collected and told stories from the oral tradition. In this companion to The Coming of the Unicorn (2012), humans, rabbits, foxes, donkeys and hedgehogs “follow the solar year and mark the progress of its seasons according to Traveller tradition.” Each tale rewards goodness and kindness over greed and selfishness. Some will be familiar to storytellers, including “The Twelve White Swans” and “Princess and the Glass Hill.” There’s a rewarding mix of humor, trickery and devotion, along with cautionary tales about spiders and flies, safety in numbers and listening to gossip. Three Christmas stories, religious and secular, and a touching tale of Father Time and the coming of the New Year conclude the volume. Storytellers and those who enjoy reading aloud will find this an excellent resource filled with lively language. Ever-present is an enormous respect for traditional ways and beliefs, as written in the opening lines of “The Twelve Seasons”: “My father told me this story years and years ago when I was wee. I never saw it in a book or heard anyone before him telling it.”

Sit back and listen to the words of the old folks and their bygone ways. (glossary of Scottish words) (Folk tales. 8-12)

Pub Date: May 1, 2014

ISBN: 978-1-7825-0017-9

Page Count: 144

Publisher: Floris

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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NIGHTBIRD

There’s a monster in Sidwell, Massachusetts, that can only be seen at night or, as Twig reveals, if passersby are near her house.

It’s her older brother, James, born with wings just like every male in the Fowler line for the last 200 years. They were cursed by the Witch of Sidwell, left brokenhearted by their forebear Lowell Fowler. Twig and James are tired of the secret and self-imposed isolation. Lonely Twig narrates, bringing the small town and its characters to life, intertwining events present and past, and describing the effects of the spell on her fractured family’s daily life. Longing for some normalcy and companionship, she befriends new-neighbor Julia while James falls in love with Julia’s sister, Agate—only to learn they are descendants of the Witch. James and Agate seem as star-crossed as their ancestors, especially when the townspeople attribute a spate of petty thefts and graffiti protesting the development of the woods to the monster and launch a hunt. The mix of romance and magic is irresistible and the tension, compelling. With the help of friends and through a series of self-realizations and discoveries, Twig grows more self-assured. She is certain she knows how to change the curse. In so doing, Twig not only changes James’ fate, but her own, for the first time feeling the fullness of family, friends and hope for the future.

Enchanting. (Magical realism. 9-12)

Pub Date: March 10, 2015

ISBN: 978-0-385-38958-7

Page Count: 208

Publisher: Wendy Lamb/Random

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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A sweet adventure and a paean to imagination and childhood innocence.

THE LAND OF ROAR

From the Land of Roar series , Vol. 1

A fantasy world comes to life and lures its young creators back into it in this imaginative middle-grade debut and U.K. import.

Narrator Arthur always loved playing make-believe in Grandad’s attic with his twin sister, Rose. Years ago they dreamed up Roar, a magical land that they entered via an old fold-up cot that acted as a portal. Now that they are 11 and starting school at Langdon Academy, Rose has new friends and wants nothing to do with her brother or their imaginary world. Rose may be done with Roar, but it’s not finished with her. When their grandfather is kidnapped and taken into Roar, Arthur and Rose must team up to mount a rescue mission. McLachlan does an excellent job of establishing the sibling tension before introducing the fantasy elements, and Rose’s desire to grow up and fit in feels as familiar and accessible as Arthur’s yearning to remain a child. While obviously reminiscent of classic fantasy, this narrative’s sheer inventiveness marks it as distinct. The twins’ widowed grandfather, a larger-than-life jokester from Mauritius, is a Peter Pan–like figure whose abduction brings the narrative into Roar, allowing the text and Mantle’s illustrations to go wild with creativity. The use of a wordless double-page spread to depict Arthur’s arrival into the fantasy realm is particularly inventive. Arthur and Rose are depicted as kids of color.

A sweet adventure and a paean to imagination and childhood innocence. (map) (Fantasy. 8-12)

Pub Date: June 30, 2020

ISBN: 978-0-06-298271-1

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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