A humorous read-aloud that can lead to deeper conversations.

UPSIDE-DOWN SID

It’s hard to be upside down in a right-side-up world.

It is challenging for Sid to make friends and fit in, so he opts to spend time alone at home, but even there all the furniture is on the floors while he is on the ceilings, and it is lonely. When a basketball crashes through his window, his neighbors want to fix it and make it up to Sid by taking him to the amusement park. It goes disastrously, so Sid invites everyone for lunch, only for it to also go badly. The next day, while Sid is out, the neighbors sneak in to fix the window, but they also rearrange his house so that the furniture is on the ceiling. This act of friendship, along with deeper messages about accessibility, shows that when people are different, they shouldn’t have to adapt to the world—the world should adapt to them. Cartoon art with a bold use of line and a pared-down simplicity aids in maintaining the book’s lighter tone. It’ll be hard for readers not to chuckle at the sight of Sid using a fishing rod to access a book or placing his TV upside down so he can watch it while doing the dishes. The egg-shaped characters in this Australian import present mostly white with a few darker-skinned characters, including one neighbor.

A humorous read-aloud that can lead to deeper conversations. (Picture book. 4-8)

Pub Date: Sept. 2, 2019

ISBN: 978-1-61067-889-6

Page Count: 32

Publisher: Kane Miller

Review Posted Online: July 28, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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THE GIRL WHO LOVED WILD HORSES

            There are many parallel legends – the seal women, for example, with their strange sad longings – but none is more direct than this American Indian story of a girl who is carried away in a horses’ stampede…to ride thenceforth by the side of a beautiful stallion who leads the wild horses.  The girl had always loved horses, and seemed to understand them “in a special way”; a year after her disappearance her people find her riding beside the stallion, calf in tow, and take her home despite his strong resistance.  But she is unhappy and returns to the stallion; after that, a beautiful mare is seen riding always beside him.  Goble tells the story soberly, allowing it to settle, to find its own level.  The illustrations are in the familiar striking Goble style, but softened out here and there with masses of flowers and foliage – suitable perhaps for the switch in subject matter from war to love, but we miss the spanking clean design of Custer’s Last Battle and The Fetterman Fight.          6-7

Pub Date: Aug. 1, 1978

ISBN: 0689845049

Page Count: -

Publisher: Bradbury

Review Posted Online: April 26, 2012

Kirkus Reviews Issue: Sept. 1, 1978

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A rollicking tale of rivalry.

IT HAPPENED ON SWEET STREET

Sweet Street had just one baker, Monsieur Oliphant, until two new confectionists move in, bringing a sugar rush of competition and customers.

First comes “Cookie Concocter par excellence” Mademoiselle Fee and then a pie maker, who opens “the divine Patisserie Clotilde!” With each new arrival to Sweet Street, rivalries mount and lines of hungry treat lovers lengthen. Children will delight in thinking about an abundance of gingerbread cookies, teetering, towering cakes, and blackbird pies. Wonderfully eccentric line-and-watercolor illustrations (with whites and marbled pastels like frosting) appeal too. Fine linework lends specificity to an off-kilter world in which buildings tilt at wacky angles and odd-looking (exclusively pale) people walk about, their pantaloons, ruffles, long torsos, and twiglike arms, legs, and fingers distinguishing them as wonderfully idiosyncratic. Rotund Monsieur Oliphant’s periwinkle complexion, flapping ears, and elongated nose make him look remarkably like an elephant while the women confectionists appear clownlike, with exaggerated lips, extravagantly lashed eyes, and voluminous clothes. French idioms surface intermittently, adding a certain je ne sais quoi. Embedded rhymes contribute to a bouncing, playful narrative too: “He layered them and cherried them and married people on them.” Tension builds as the cul de sac grows more congested with sweet-makers, competition, frustration, and customers. When the inevitable, fantastically messy food fight occurs, an observant child finds a sweet solution amid the delicious detritus.

A rollicking tale of rivalry. (Picture book. 4-8 )

Pub Date: July 7, 2020

ISBN: 978-1-101-91885-2

Page Count: 44

Publisher: Tundra Books

Review Posted Online: April 8, 2020

Kirkus Reviews Issue: May 1, 2020

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