Overpowering dread and a leery protagonist make this a suspenseful read.
In Church’s debut thriller, a California schoolteacher’s search for her missing father in 1970s Barbados puts her in the middle of an ongoing fight over a much-desired piece of land.
When Drug Enforcement Administration agents show up at teacher Olivia Lassiter’s door, looking for her movie-producer dad, Del, she assumes that it’s related to drugs, due to Del’s constant association with the Hollywood crowd. Indeed, the agents claim that her father has a drug-running operation of his own and that he was recently spotted with her cousin, Aaron Law-Maddock, who was later found drowned—and whom she doesn’t even know. Olivia sees an agent swipe Del’s safe-deposit key, so she and her lawyer pal, Gail Kazarian, rush to the bank to get access to the safety-deposit box first. Inside are multiple surprises, including millions of dollars in bearer bonds and a birth certificate with Olivia’s birthdate but another name: Stella Harris. A couriered message from Del asks Olivia to take another key (from the box) to Perfidia, Barbados; then attorney Brendan Whitelaw, via phone, says that Del’s gone missing. She soon learns that Perfidia is heavily in debt and that the key to saving it may be the literal one that Olivia possesses. Soon, someone is following her and later accosts her and even sets her cabin on fire. Church manages, quite impressively, to maintain a sense of a hidden but perpetual threat. For example, most of the characters don’t provide straightforward answers to Olivia’s questions, which ultimately makes her wary of everyone. More than one man offers the possibility of romance, but these instances of tenderness are obscured by the constant, exhilarating atmosphere of distrust. Church’s indelible descriptions of Perfidia, meanwhile, turn even an innocuous cane field into something unnerving: “Dense foliage on either side of the path topped by the blackness of the sky created a tunnel alive with dappled shadows.” There are plenty of shocks throughout the story, including revelations about the land’s history and about a few characters’ relationships.
Overpowering dread and a leery protagonist make this a suspenseful read.Pub Date: June 1, 2017
ISBN: 978-0-9983297-1-0
Page Count: 366
Publisher: Bodie Blue Books
Review Posted Online: April 21, 2017
Review Program: Kirkus Indie
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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