by D.Z. Church ‧ RELEASE DATE: June 1, 2018
A moody family drama set against the quagmire of the Vietnam War.
Church’s (Perfida, 2017) military novel follows two brothers attempting to resolve their past.
It’s 1967. Navy pilot Byron Cooper is about to rotate into service in Vietnam, but he’s annoyed to serve in an outfit full of people who knew his hero father and constantly compare junior to his dad. Mac Cooper was a “World War II ace, he had the USS Hornet sunk out from under him as he took off. The one certifiable major ace from Korea. The guy who took out five MiGs in three days in a museum piece.” What’s more, the reappearance in his life of Mac’s younger French girlfriend, Chloe Minotier —a woman wanted by seemingly every man who meets her—has thrown Byron into a fit of confused emotions. Byron’s younger brother, Laury, is a Marine who just returned—scarred physically and mentally—from Vietnam. Laury believes there’s more to the story of Mac’s 1955 suicide then what the boys were told, and he’s willing to ask uncomfortable questions of anyone in the Navy, regardless of rank. Both brothers feel overshadowed by their father and the unresolved animosity his death caused between the two of them, embodied in the disputed ownership of Mac’s 1948 Harley-Davidson motorcycle. They will come to realize that surviving combat won’t be their greatest challenge. Church writes in a muscular prose that never loses its noirish register. “What does your family grow?” a reporter asks Laury early in the novel. “The bartender put the third double in front of Laury. Laury lit a second cigarette from the ember of the first then ground the first cigarette out in the ashtray. ‘Dead legends.’ ” The plot is straight melodrama, and the ever-brooding Cooper brothers begin to grow a little tiresome. Even so, there’s something compelling about the milieu and the language that keeps the reader engaged, particularly as the mysteries of Mac Cooper begin to unravel. The first in a planned quartet.
A moody family drama set against the quagmire of the Vietnam War.Pub Date: June 1, 2018
ISBN: N/A
Page Count: 218
Publisher: Dog Ear Publisher
Review Posted Online: April 17, 2018
Review Program: Kirkus Indie
Share your opinion of this book
More by D.Z. Church
BOOK REVIEW
by D.Z. Church
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Awards & Accolades
Likes
138
Our Verdict
GET IT
New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
Share your opinion of this book
More by Max Brooks
BOOK REVIEW
by Max Brooks
More About This Book
BOOK TO SCREEN
by Colleen Hoover ‧ RELEASE DATE: Aug. 2, 2016
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Awards & Accolades
Likes
376
Our Verdict
GET IT
New York Times Bestseller
IndieBound Bestseller
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
Share your opinion of this book
More by Colleen Hoover
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
More About This Book
SEEN & HEARD
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.