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SARAJEVO, EXODUS OF A CITY

This firsthand account of the war in Bosnia is made all the more compelling by the tone, at once lyrical and detached, taken by its author. Karahasan concentrates on the city of Sarajevo and the tragedy that such a cosmopolitan, multicultural city should be forced to disband, its vibrant subcultures trickling out under pressure of Serbian guns. As dean of the Academy of Theatrical Arts at the University of Sarajevo, the author experienced the siege and shelling of his city. Yet he has chosen not to write a conventional memoir of the horrors of war. In fact, throughout this book (his first available in English), he writes about the futility of offering conventional witness and the inability or unwillingness of the West to understand or pay attention to the suffering of Bosnia. Instead, he analyzes the city itself, ``enclosed and isolated from the world, so to speak, cut off from everything external and turned wholly toward itself.'' He sees the city's layout and all of its constituent elements—architecture, demographics, even cuisine—as a series of tensions between openness and closure, an interplay of opposition and reflection, of internal and external. He also offers an impassioned essay on the ``misuse'' of literature to promote racial hatred and fuel the atrocities such as those committed against the Bosnian people. But the book is, predictably, most compelling when it shows the people of Sarajevo trying to maintain some shred of normalcy while the city is vivisected by the Serbs. Karahasan coolly reports on how his theater students react to the disruption of their studies, how he is prevented from attending a founding meeting of the Bosnian PEN Center. The book closes with a moving exchange of letters between Karahasan, who is in exile in Austria, and his wife in Sarajevo, followed by a typically incisive essay by Slavenka Drakuli (The Balkan Express), comparing Karahasan's tone to that of Primo Levi in Survival in Auschwitz. An excellent addition to the growing shelf of books on the ravaging of Bosnia.

Pub Date: Nov. 1, 1994

ISBN: 1-56836-057-6

Page Count: 112

Publisher: Kodansha

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1994

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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WHY WE SWIM

An absorbing, wide-ranging story of humans’ relationship with the water.

A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.

For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).

An absorbing, wide-ranging story of humans’ relationship with the water.

Pub Date: April 14, 2020

ISBN: 978-1-61620-786-1

Page Count: 288

Publisher: Algonquin

Review Posted Online: Jan. 4, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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