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CHRISTINE, RELEASED

A deftly written but overlong tale of a troubled teen’s incarceration.

In this debut novel, Burke tells the story of a daughter’s imprisonment and a mother fighting for her freedom.

In 1987 Vermont, high school junior Christine Bancroft hangs out with “the stoner crowd”—“morons,” as she thinks of them. They include Megan, who, one night, goes off with a guys from the local paper mill and leaves Christine stranded in the next room with no ride home. Christine lives with her mother, Lynne, although their relationship has been strained since Lynne allowed her boyfriend, Frank, to move in with them. As Lynne fights with Christine’s father, Mark, about child support payments, the teen meets and later moves in with a local cocaine dealer named Jimmy Connell. One night, police turn up and discover an ounce of coke in Jimmy’s apartment, leading to his and Christine’s arrests. At the station, she learns that Eddie Dugan, the son of the state’s attorney, has died of a drug overdose—and that Jimmy was his supplier. Ray Dugan wants to throw the book at them, and Christine ends up being detained by the state for an indefinite period of time. It will take all Lynne can muster to get her daughter released—but how long can Christine hold on? Burke’s prose is vivid and moody, as when she describes the arcade where Christine and her friends hang out: “Then the place lit up, or lit up as much as it was going to. It was still a hole, with a worn-out linoleum floor, scarred paneling, and fluorescent lights spazzing from the crumbly ceiling.” The narrative is a slow-boiling legal tale in which Christine’s situation becomes increasingly dire, and it renders in great detail the seemingly impenetrable layers of state custody in which a minor can find herself. That said, the book is easily 100 pages too long; it takes its time getting started, and then lingers too long at many points along the way. Burke’s fine writing and characterization make any given page compelling, but as they stack up, readers may be left feeling as trapped as her plucky protagonist.

A deftly written but overlong tale of a troubled teen’s incarceration.

Pub Date: Sept. 27, 2019

ISBN: 978-1-947041-27-1

Page Count: 454

Publisher: Running Wild Press

Review Posted Online: Oct. 17, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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