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THE KINGS DEATH

A successful high-stakes fantasy that delivers riveting action scenes and bold characterizations.

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This sequel sees a far-reaching demonic conspiracy throw the world into chaos.

As King Saldor’s youngest son by a second marriage, Sillik never thought he’d rule Illicia. But now that assassins have slaughtered most of House Rendarick, the young man, well versed in the seven laws of magic, is the crown prince. Having defeated the assassins, Sillick and his sword master, Briana, have encamped with the Illician army near the Falls of Theosa. They’re joined by the Nerak army, which stands with Sillik against the kingdoms of Ynak and Peol. Fire wolves harass the camp, though the later return of dragons, not seen in centuries, exacerbates the situation. Meanwhile, in the island city of Salone, where the seven laws are taught, word has arrived of House Rendarick’s fate. King Ametor and Queen Jacqueline, Sillik’s cousin, fear the worst since they’ve seen sinister schula creatures on the island. A cabal that worships the nine gods of evil is led by Brother Simpsen. Those loyal to the seven gods must join together to defeat the followers of the nine, which results in Sillik’s drafting his friend Lysander, Cliff Flier of Aceon, into battle. Without the blessing of his mother, Queen Saskia, Lysander risks a vast contingent of herish—giant birds of prey that submit to riders—on a quest to save his friend. Cannon’s imagination is glorious and savage to behold in this fantasy sequel to The Kings’ Assassin (2018). Not only does magic offer villains their darkly shining moments—Brother Simpsen crushes to death, then resurrects a dove in one scene—but politics provides toothsome horror as well. The seductress Minerla brings a daring bit of kink to a narrative that wears its A Song of Ice and Fire influence proudly. The author trades the prophecy trope for predictions made by the goddess Lady Silvia while the quest for secret libraries and special artifacts scratch more traditional genre itches. After a rousing final act, readers should be deeply satiated by Cannon’s brand of magical duels and intrigue until the next installment.

A successful high-stakes fantasy that delivers riveting action scenes and bold characterizations.

Pub Date: May 30, 2019

ISBN: 978-1-79601-987-2

Page Count: 558

Publisher: XlibrisUS

Review Posted Online: Feb. 28, 2020

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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FOURTH WING

From the Empyrean series , Vol. 1

Read this for the action-packed plot, not character development or worldbuilding.

On the orders of her mother, a woman goes to dragon-riding school.

Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.

Read this for the action-packed plot, not character development or worldbuilding.

Pub Date: May 2, 2023

ISBN: 9781649374042

Page Count: 528

Publisher: Red Tower

Review Posted Online: Jan. 12, 2024

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