A fairly amusing, sometimes erotic story of contemporary urban Jewish young womanhood.

Fifty Shades of Schwarz

In Harris’ novel, a young Jewish woman in a dead-end relationship meets a charismatic man who enjoys spanking her.

Although its title suggests a broad, Mel Brooks–style sendup of E.L. James’ erotic romance Fifty Shades of Grey (2011), most of this novel follows a fairly standard chick-lit format: A young woman in a trendy job juggles relationship troubles, family and work. Maya Stein, nearing 30, lives in Brooklyn and works at an Internet advertising agency. Her mother is eager to see her settle down; she knows a nice, single rabbi. Maya’s relationship with her boyfriend, Jeremy, is so lukewarm that she decides to post a profile on JDate, the online Jewish dating service. She hears from Aaron Schwarz, a commercial real estate broker. He owns his own firm, he explains, since he prefers being in charge, which intrigues Maya. Unlike Jeremy, who relies on Groupon discounts when taking Maya out, Aaron treats her to concerts, good restaurants and cab rides home from Manhattan. After Maya and Aaron become intimate, he confesses his real turn-on: tying girls up and spanking them while playing a kind of “Jewish Jeopardy,” asking “questions that would be considered common knowledge to someone who has a reasonable grounding in Judaica.” Wrong guesses earn smacks from Aaron’s belt, then tempestuous sex, which shakes up Maya emotionally as it wows her physically. With questions about dreidels punctuated by whaps, Harris does put a Jewish spin on Fifty Shades of Grey, but calling this novel a parody—an exaggerated, humorous imitation—is a misnomer. If anything, it’s more low-key than the original. Schwarz isn’t the mysterious, cold, distant mogul that Christian Grey is; he’s well-off but not a billionaire, and he’s reasonably, not ridiculously, good looking. Maya, meanwhile, is far more confident, sexually and personally, than the hapless Anastasia Steele; in the end, it’s Maya who offers financial backing to the man of her dreams. A parody it’s not—but readers may indeed prefer these alterations, which make this novel more relatable, funny and perhaps even more feminist than the original Fifty Shades.

A fairly amusing, sometimes erotic story of contemporary urban Jewish young womanhood.

Pub Date: May 1, 2013

ISBN: 978-0989192019

Page Count: 282

Publisher: Fifty Tales Media

Review Posted Online: June 10, 2013

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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A love letter to the power of books and friendship.

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Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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