CYBER WAR I

A smart, highly detailed entry in the techno-thriller genre.

Computer-security analysts stumble upon plans for a cyberstrike that could immobilize the United States in Mahoney’s debut thriller.

After a security breach involving user IDs, Cyber Business International’s investigators trace the source of the hack to one of its clients, the Arabian Nights Casino in Macau. Rob Warner, who leads CBI’s incident-response team, heads to the Asian territory to investigate. It turns out that Justin Peters, a CBI network administrator there, had been doing work for the casino when someone accessed his privileged user account and wreaked havoc. Rob, however, is suspicious of the casino’s director of cybersecurity operations, Edmund Ho; he may have a grudge against the casino that stems from his demotion after a cyberattack that crippled the local network by flooding it with traffic. Further investigation reveals other players, which leads CBI to predict a similar attack in the United States. But a larger conspiracy may be at play—which would explain why an assassin is targeting Rob. Mahoney’s acronym-laden technological jargon gives his novel an air of sophistication. For example, he intelligently defines terms such as “botnet” and “exploit kit” by context, generally via dialogue between Rob and others, such as Rob’s friend and colleague Bill Johnson. Myriad plot elements along the way keep the tale exciting, including the actions of an American spy and more than one hired killer and a Las Vegas–set final act in which many characters converge. Some oddly structured sentences slow the story down, though, as when Rob questions “flirting with guidelines, well ethics, shoot, the law, like he did in Macau.” The novel also includes little information about its protagonist’s personal life, although it’s abundantly clear that his job is putting a strain on his marriage.

A smart, highly detailed entry in the techno-thriller genre.

Pub Date: Nov. 26, 2016

ISBN: 978-1-5323-2588-5

Page Count: -

Publisher: Lobo Media

Review Posted Online: March 15, 2017

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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