This ancient Sufi tale, with beautiful new collage-and-watercolor illustrations, follows a familiar narrative structure. A boy appeals to a Grand Master for knowledge, but the Grand Master demands a carpet first, so off goes the boy to the carpetmaker—who wants thread; the spinner won’t make thread until she is given goat hair; and so on. Finally, when his pursuits lead only to a woman seeking knowledge, the boy despairs and wanders away. In a new village, after a subtle narrative shift in which the boy becomes “the young man,” he finds a merchant who needs help. The help he offers freely then leads back to the original chain of demands: each person in the chain gets something and also provides something—wood, goats, goat hair, thread, a small carpet. A few narrative details are unfortunate: the woman who wanted knowledge is the only person who goes unfulfilled, and a girl is one of the pieces of merchandise traded—happily, but as a piece of goods. Also, the girl is confusingly white-skinned (in contrast to all the other brown-skinned Middle Eastern characters), which is disturbing since she is the only one called “beautiful.” The story flows smoothly; the illustrations skillfully and delicately use scale, posture, and composition to convey despair (the boy wandering away from his village, tiny, with his head slumped) and joy (the young man leaping, a shoe flying off). Heathered paper makes an earthy background for these expertly designed, uncluttered pages. (source note) (Picture book/folktale. 4-7)
Pub Date: June 1, 2001
ISBN: 0-399-23624-4
Page Count: 40
Publisher: Philomel
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 15, 2002
In the siblings' latest adventure, their grandmother is having a birthday (again! see Bunny Cakes, p. 67), so Ruby takes Max shopping. A music box with skating ballerinas is Ruby's idea of the perfect present; Max favors a set of plastic vampire teeth. Ruby's $15 goes fast, and somehow, most of it is spent on Max. The music box of Ruby's dreams costs $100, so she settles for musical earrings instead. There isn't even a dollar left for the bus, so Max digs out his lucky quarter and phones Grandma, who drives them home—happily wearing her new earrings and vampire teeth. As ever, Wells's sympathies are with the underdog: Max, in one-word sentences, out-maneuvers his officious sister once again. Most six- year-olds will be able to do the mental subtraction necessary to keep track of Ruby's money, and Wells helps by illustrating the wallet and its dwindling contents at the bottom of each page where a transaction occurs. Younger children may need to follow the author's suggestion and have an adult photocopy the ``bunny money'' on the endpapers, so they can count it out. Either way, the book is a great adjunct to primary-grade math lessons. (Picture book. 4-7)
Pub Date: Sept. 1, 1997
ISBN: 0-8037-2146-3
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Clever verse coupled with bold primary-colored images is sure to attract and hone the attention of fun-seeking children...
A fizzy yet revealing romp through the toy world.
Though of standard picture-book size, Stein and illustrator Staake’s latest collaboration (Bugs Galore, 2012, etc.) presents a sweeping compendium of diversions for the young. From fairies and gnomes, race cars and jacks, tin cans and socks, to pots ’n’ pans and a cardboard box, Stein combs the toy kingdom for equally thrilling sources of fun. These light, tightly rhymed quatrains focus nicely on the functions characterizing various objects, such as “Floaty, bubbly, / while-you-wash toys” or “Sharing-secrets- / with-tin-cans toys,” rather than flatly stating their names. Such ambiguity at once offers Staake free artistic rein to depict copious items capable of performing those tasks and provides pre-readers ample freedom to draw from the experiences of their own toy chests as they scan Staake’s vibrant spreads brimming with chunky, digitally rendered objects and children at play. The sense of community and sharing suggested by most of the spreads contributes well to Stein’s ultimate theme, which he frames by asking: “But which toy is / the best toy ever? / The one most fun? / Most cool and clever?” Faced with three concluding pages filled with all sorts of indoor and outside toys to choose from, youngsters may be shocked to learn, on turning to the final spread, that the greatest one of all—“a toy SENSATION!”—proves to be “[y]our very own / imagination.”
Clever verse coupled with bold primary-colored images is sure to attract and hone the attention of fun-seeking children everywhere. (Picture book. 4-7)Pub Date: Sept. 10, 2013
ISBN: 978-0-7636-6254-7
Page Count: 32
Publisher: Candlewick
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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