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JOHN PRINE

IN SPITE OF HIMSELF

It’s difficult for Huffman to establish much stylistic continuity when he relies so heavily on quotes from other...

A guide to the troubadour’s career lacks access to the artist himself but benefits from a subject who is as intriguing as his songs.

In his first book, Greensboro News & Record staff writer Huffman proves an amiable companion as he leads readers though the musical development of an artist whose songwriting uniqueness has prevailed over a decided lack of ambition and decades of commercial indifference. If it weren’t for his close friend and fellow troubadour Steve Goodman, who “had enough ambition for both of them,” Prine might have been happy to remain the singing mailman from suburban Chicago. The author shows just how little Prine enjoyed the business side of the music business and how the strength of his songwriting offset raw indifference as a singer and guitarist in his early studio recordings. More than once he was willing to chuck his career for something different. He never believed the critical claims made by others on his behalf: “If I’m a genius, how come it took me five years to get out of high school?” he told an AP reporter in 1978. “If I’m a genius, how come I don’t have three Cadillacs?” It might have seemed that Prine was destined to be known primarily from the songs on his 1971 debut album—“Sam Stone,” “Hello in There,” “Angel from Montgomery”—with subsequent efforts doing little to raise his profile as he bounced from one record label to another. Yet he amazingly rebounded in 1991 with “The Missing Years,” his most popular album ever and a return to critical acclaim. By then, Prine had started his own label and found domestic bliss with his third wife, and he has subsequently survived a couple bouts with cancer. If he’s lost the inspiration to write songs, that doesn’t seem to bother him much.

It’s difficult for Huffman to establish much stylistic continuity when he relies so heavily on quotes from other journalists, but the unlikely success of the reluctant performer makes for fascinating reading.

Pub Date: March 15, 2015

ISBN: 978-0-292-74822-4

Page Count: 224

Publisher: Univ. of Texas

Review Posted Online: Dec. 28, 2014

Kirkus Reviews Issue: Jan. 15, 2015

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THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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