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MENTAL

FUNNY IN THE HEAD

A droll, writerly addition to the burgeoning shelf of gay lit.

A stand-up performer pens a comic memoir about the vicissitudes of modern gay life.

Comedy-writing teacher Sarfaty opens with a piece about the process of coming out to his beloved Jewish grandmother and follows it with plenty of family humor—with the addition of drag queens and sexy hustlers. Mom has wiseacre chutzpah, Dad has mute dementia and the author has a fraught love life coupled with the talent to write about it engagingly. His humorous set pieces cover the ill-fated adoption of a stinky, fat feline; a trip to Paris and London with the balking parents; and the necessary evils required to maintain a performer’s life—waiting tables, teaching aerobics, taking a gig as stage manager for a third-rate touring musical. His ersatz Phantom of the Opera company’s stay in Portugal provides the setting for spectacular farce; his work behind the bar at the gentlemen’s Eton Club affords a moving story about growing older. The character sketches—often witty, at times catty—depict hunky young studs, sad queens and acerbic ladies of both sexes. Sarfaty also chronicles plenty of manly bodies, the club scene, Internet manhunting and masturbation, as well as his relationship with lover Jeffrey. The author writes with the caustic touch of Austen Burroughs, creating a funny yet poignant portrait of his world.

A droll, writerly addition to the burgeoning shelf of gay lit.

Pub Date: July 1, 2009

ISBN: 978-0-7582-2255-8

Page Count: 288

Publisher: Kensington

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2009

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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