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WRITING WITH YOUR EVER-PRESENT MUSE

75 CATALYTIC READS, WISDOM POCKETS, AND LIVING EXPERIMENTS

An original and thoughtful guide for writers.

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Friesen offers a journey through the experiential side of writing, led by one’s inner source of inspiration, or “ever-present muse.”

There’s no shortage of books on the writing craft, but many of them focus on its technical aspects while failing to consider the undefinable spark that separates good writers from great ones. Friesen focuses on this spark, or “muse,” in a guide designed to help artists strip away the artifice, doubt, and distraction that may be impeding their writing. Using the analogy of a flower, she presents five petals, or stages, in the growth of a writer: “Opening to Wonder,” “Risking the Heart,” “Following the Energy,” “Freeing the Mind,” and “Expressing With Presence.” To enrich readers’ understanding of each stage, she splits them into 15 topics, such as “Re-enchanting the Familiar” and “Tailored Expression,” intended to deepen writers’ understanding of their muse. Throughout, the author effectively engages readers with reflection as well as writing practice. “Catalytic Reads” begins with an enticement to “Experience This” or envision an environment in which they are one with their craft; “Wisdom Pockets” contains more practical writing advice, and “Living Experiments” encourage readers to try different exercises to employ new lessons. Friesen’s approach can feel a bit esoteric at times, but it also provides tremendous practical insight, shedding new light on common writing challenges, such as distraction, revision, and finding one’s voice. She also encourages writers to confront barriers to their potential, such as self-delusion, and occasionally adds humor to her advice to move writing beyond fear to a more joyous artistic experience.

An original and thoughtful guide for writers.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: FriesenPress

Review Posted Online: June 18, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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