A boosterish rendering of a potent head of state.
In a sequel to the Pulitzer-winning biography of Teddy Roosevelt’s earlier years (The Rise of Theodore Roosevelt, 1979), Morris celebrates his tenure in the Oval Office, lauding him as the most popular and energetic chief executive of the early modern era.
Morris views Roosevelt as the next great president to succeed Lincoln. While his predecessor, William McKinley, represented dour 19th-century values, Roosevelt was more akin to the industrialization that was turning the US into a global power. He was a dynamic reformer who acted first and asked questions later. The author runs through the many irons Roosevelt always had in the fire, using each to show how his personal magnetism, political canniness, intelligence, and force of will earned him a bevy of successes and almost no significant defeats. On the domestic front, Teddy mastered the art of the end run around his political enemies, disarming orthodox Republicans by arguing that they support his trust-busting initiatives or else face the chaos of labor uprisings and quieting labor by throwing them bones designed to least infuriate management. In foreign relations, his personal magnetism and Navy-enlarging policies earned him, and the country, the respect of the great powers. He fended off German encroachments on Venezuela, ensured that the Panama Canal became a reality, and negotiated peace between Russia and Japan. Morris also devotes much attention to Roosevelt’s physical exploits, which later influenced his conservation efforts. He was constantly climbing in Rock Creek Park, swimming nude in the Potomac, and boxing or practicing martial arts with members of his cabinet. To blow off steam he hunted, often in the South, where he was seen as too friendly toward African-Americans. Because Democrats receive little attention here, one wonders how Morris might have rendered their criticisms.
A boosterish rendering of a potent head of state.Pub Date: Nov. 27, 2001
ISBN: 0-394-55509-0
Page Count: 864
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2001
A boon for admirers of Oz’s work and contemporary Israeli literature in general.
A moving, emotionally charged memoir of the renowned author’s youth in a newly created Israel.
“Almost everyone in Jerusalem in those days,” writes novelist Oz (The Same Sea, 2001, etc.) of the 1940s, “was either a poet or a writer or a researcher or a thinker or a scholar or a world reformer.” Oz’s uncle Joseph Klausner, for instance, kept a 25,000-volume library in every conceivable language, its dusty volumes providing a madeleine for the young writer, “the smell of a silent, secluded life devoted to scholarship,” even as his grandmother contemplated the dusty air of the Levant and concluded that the region was full of germs, whence “a thick cloud of disinfecting spirit, soaps, creams, sprays, baits, insecticides, and powder always hung in the air.” His own father had to sell his beloved books in order to buy food when money was short, though he often returned with more books. (“My mother forgave him, and so did I, because I hardly ever felt like eating anything except sweetcorn and icecream.”) Out in the street, Oz meets a young Palestinian woman who is determined to write great poems in French and English; cats bear such names as Schopenhauer and Chopin; the walls of the city ring with music and learned debate. But then there is the dark side: the war of 1948, with its Arab Legion snipers and stray shells, its heaps of dead new emigrants fresh from the Holocaust. “In Nehemiah Street,” writes Oz, “once there was a bookbinder who had a nervous breakdown, and he went out on his balcony and screamed, Jews, help, hurry, soon they’ll burn us all.” In this heady, dangerous atmosphere, torn by sectarian politics and the constant threat of terror, Oz comes of age, blossoming as a man of letters even as the bookish people of his youth begin to disappear one by one.
A boon for admirers of Oz’s work and contemporary Israeli literature in general.Pub Date: Nov. 15, 2004
ISBN: 0-15-100878-7
Page Count: 544
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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