For readers who share Gargan’s fascination with the region, an excellent travelogue.

THE RIVER’S TALE

A YEAR ON THE MEKONG

A colorful and closely detailed account of travels along Southeast Asia’s contested lifeline, from former New York Times correspondent Gargan (China’s Fate, 1990).

Aiming for a more primal Asian experience than he’d experienced as a foreign bureau chief, Gargan planned a yearlong voyage combining scholarship, passion, and adventurous exploration on the Mekong River, which propelled him through China, Burma, Laos, Thailand, Cambodia, Vietnam, and Chinese-occupied Tibet. He depicts vast cultural differences and bitter political squabbles among these nations, bound together only geographically by the Mekong. Everywhere Gargan finds the unhealthy aftertaste of colonialism: “Whether the French, or the Americans who followed them, it was the foreign presence that had largely underpinned the course of events in 20th-century Southeast Asia, mostly for the worse.” Wisely keeping his journalistic eye trained on the human aspects of his journey, the author describes encounters with a variety of Asian citizens, from Tibetan master potters and Buddhist monks to rogues who pilot battered vessels, all of whom are pleased to practice their English on him. These conversations reveal resigned acceptance of authoritarian regimes incongruously combined with enthusiasm for European tourism and American pop culture. Although Gargan’s narrative meanders almost as slowly as his actual voyage, it accrues power as he travels through successive countries, assessing the harsh costs of war and kleptocracy. In Cambodia, for example, he finds the social destruction wrought by genocide lingering beneath the surface of optimistic recovery, while a popular nightclub in Saigon patterned after the film Apocalypse Now demonstrates that the Vietnamese remain dominated by the conflict they supposedly “won.” Elsewhere, the author’s portraits of impoverished rural Chinese and Tibetans chafing under the central Communist government’s Kafkaesque privations are extremely affecting, as is his journey through xenophobic, still-isolated Laos.

For readers who share Gargan’s fascination with the region, an excellent travelogue.

Pub Date: Jan. 30, 2002

ISBN: 0-375-40584-4

Page Count: 352

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2001

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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