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CAMERON AND THE GIRLS

Complex questions are carefully presented but answered too simply in this nevertheless intriguing exploration.

In an engaging if predictable cautionary tale, 14-year-old Cameron stops taking medications for his schizophreniform disorder and finds that his choice brings unwanted consequences.

Off his medication, Cameron hears voices. He likes having some of the voices in his head, such as the even-keeled, informative Professor and the alluring Girl, a newer arrival. (They are helpfully represented, as are the other voices, by recognizably different typefaces.) His desire to hold onto the voices makes his quitting his meds believable and compelling. The central ambiguity—the way some aspects of Cameron’s unmedicated state feel desirable and important, even while others are confusing or frightening—is maintained almost to the end. A new, intimidating voice Cameron calls the Other Guy urges Cameron to take risks and be cruel, and readers feel the exhilaration Cameron experiences at obeying the Other Guy’s commands. Cameron’s parents and sister are realistically drawn, with believably flawed reactions to Cameron’s condition, as is his friend Nina, a classmate with depression from the Emotionally Disturbed Program. A pat ending, however, undermines the question of whether Cameron ought to be allowed to go without medication, as does an afterword in which the author, a clinical psychologist, speculates that “one day, Cameron might very well be free of the disease forever, which is his fondest hope.”

Complex questions are carefully presented but answered too simply in this nevertheless intriguing exploration. (Fiction. 12-16)

Pub Date: April 16, 2013

ISBN: 978-0-547-61215-7

Page Count: 240

Publisher: Clarion Books

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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THE GIRL OF FIRE AND THORNS

From the Girl of Fire and Thorns series , Vol. 1

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...

Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.

Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)

Pub Date: Sept. 1, 2011

ISBN: 978-0-06-202648-4

Page Count: 432

Publisher: Greenwillow Books

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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RADIO SILENCE

A smart, timely outing.

Two teens connect through a mysterious podcast in this sophomore effort by British author Oseman (Solitaire, 2015).

Frances Janvier is a 17-year-old British-Ethiopian head girl who is so driven to get into Cambridge that she mostly forgoes friendships for schoolwork. Her only self-indulgence is listening to and creating fan art for the podcast Universe City, “a…show about a suit-wearing student detective looking for a way to escape a sci-fi, monster-infested university.” Aled Last is a quiet white boy who identifies as “partly asexual.” When Frances discovers that Aled is the secret creator of Universe City, the two embark on a passionate, platonic relationship based on their joint love of pop culture. Their bond is complicated by Aled’s controlling mother and by Frances’ previous crush on Aled’s twin sister, Carys, who ran away last year and disappeared. When Aled’s identity is accidently leaked to the Universe City fandom, he severs his relationship with Frances, leaving her questioning her Cambridge goals and determined to win back his affection, no matter what the cost. Frances’ narration is keenly intelligent; she takes mordant pleasure in using an Indian friend’s ID to get into a club despite the fact they look nothing alike: “Gotta love white people.” Though the social-media–suffused plot occasionally lags, the main characters’ realistic relationship accurately depicts current issues of gender, race, and class.

A smart, timely outing. (Fiction. 12-16)

Pub Date: March 28, 2017

ISBN: 978-0-06-233571-5

Page Count: 496

Publisher: HarperTeen

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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